[Yumeto] How to Recreate the DEXCORE Sound + Guitar Gear and Tone Settings [Effects & Amps]

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Introduction (Overview of Tone)

Yumeto, the guitarist of DEXCORE, is known for his distinctive sound design within the Japanese metalcore and deathcore scene. His playing style combines aggressive riffs with melodic leads, showcasing a remarkable expressiveness amidst overwhelming loudness.

In particular, DEXCORE’s signature songs like “Don’t be afraid,” “BLACK PIG,” and “Self-Hatred” feature heavy low-end riffs intertwined with striking lead lines, creating a powerful impact during live performances. Yumeto’s sound is a core element that supports the band’s dark and emotional atmosphere, often described by fans as “the very essence of DEXCORE’s sound.”

He primarily uses the Ormsby HYPEMACHINE H1, which is well-suited for modern multi-string configurations and downtuning, making it an ideal choice for producing the brassy and sharp tones characteristic of metalcore. Additionally, he employs classic amplifiers from brands like Marshall and Orange to craft a powerful tone during live shows.

Furthermore, practical gear such as the SHURE GLX-D16 wireless system and FretWraps for muting are integrated to enhance live performance, ensuring mobility and stable sound without hindering DEXCORE’s intense staging. Yumeto’s sound design aims for a balance of “heaviness and clarity,” “live reproducibility,” and “sound pressure that meets modern metalcore standards.”

In the following sections, we will delve into specific gear used by Yumeto, including amplifiers, guitars, and effects, to provide a detailed explanation of his sound design.

▶ Search official YouTube videos of DEXCORE

List of Amplifiers and Features

Yumeto’s amplifier choices for DEXCORE, based on live photos and videos, primarily include Marshall and Orange amplifiers. In metalcore and deathcore bands, amplifier selection is crucial as it forms the foundation of the sound, making it a significant element in Yumeto’s sound design.

The main amplifier is believed to be a Marshall head and cabinet, though the specific model has not been disclosed. Given the stage size and tonal tendencies, it is likely that he uses either the JCM series or the JVM series. The JCM series offers classic Marshall tones while accommodating modern high-gain sounds, making it suitable for the thick rhythm guitars typical in metalcore. On the other hand, the JVM series features multiple channels and a wide gain range, allowing for seamless transitions between clean and heavy tones, adapting to the diverse dynamics of live performances.

By utilizing Marshall amplifiers, Yumeto achieves a balance of thick low-end and clear high-end, resulting in DEXCORE’s signature slicing guitar riffs. Particularly during breakdowns and syncopated sections, the “hard and linear sound” delivers a powerful impact to the audience.

Additionally, an Orange amplifier has been spotted on stage, known for its characteristic mid-range warmth, providing a “rich distortion” that contrasts with Marshall’s sharpness. This likely enhances lead tones and mid-focused sounds. While it may serve as a backup or shared equipment among band members, it undeniably plays an important role in DEXCORE’s stage sound.

The combination of Marshall and Orange amplifiers is a classic choice among modern metal guitarists, and Yumeto likely selected this pairing for its ability to balance clarity and heaviness. In the studio, he may primarily record with Marshall while using Orange to bolster sound pressure during live performances.

Thus, Yumeto constructs DEXCORE’s heavy yet clear guitar sound by merging the linear sound pressure of Marshall with the rich midrange of Orange. While specific models have not been confirmed, it is assumed that he employs the aforementioned combination for his sound design.

Types of Guitars Used and Features

Yumeto primarily uses the Ormsby HYPEMACHINE H1, a guitar from the Australian brand Ormsby. He has an official endorsement contract and frequently uses this model in live performances, artist photos, and music videos. This model supports multi-string configurations (7-string/8-string) and multi-scale, making it ideal for the downtuning and heavy low-end essential in metalcore and deathcore.

The HYPEMACHINE H1 features fan frets, allowing for a longer scale on the low strings while maintaining playability similar to a standard scale on the high strings. This design enables Yumeto to achieve the characteristic “power of low-end riffs” and “sharpness of high melodies” found in DEXCORE’s music. Additionally, the pickups are designed to minimize noise in high-gain environments while maintaining clarity, perfectly matching Yumeto’s playing style.

As for his secondary or backup guitars, it is likely that he uses other Ormsby models or modern guitars from different brands. In metalcore live performances, it is common to have multiple guitars ready for quick tuning changes, so it is assumed that he has several on stage. While the officially confirmed model is the HYPEMACHINE H1, it is plausible that he owns different colors or variations of this model.

The reasons Yumeto chooses Ormsby include “clarity of sound” and “high playability.” In metalcore, riffs often lean towards the low-end, making it easy for sounds to get buried. However, Ormsby’s unique multi-scale design and high-precision manufacturing ensure that even in the low-end, the sound retains its definition. This allows the guitar to maintain a clear presence in DEXCORE’s mixes.

Moreover, the HYPEMACHINE makes a strong visual impact, enhancing the aesthetic effect on stage. This aligns with DEXCORE’s blend of metalcore and visual kei elements, symbolizing Yumeto’s individuality. While the specifics of his backup gear remain unconfirmed, it is assumed that he operates with multiple guitars for live performances.

Overall, Yumeto’s choice of guitars aims to balance “the power of low-end,” “clarity of melody,” and “responsiveness during live performances.” At this stage, the Ormsby HYPEMACHINE H1 is assumed to be the central piece of his setup.

Effects and Pedalboard Setup

Yumeto’s effects setup appears to be very simple and practical based on the information currently available. DEXCORE’s music relies heavily on the direct distortion from the amplifier and the potential of the guitar, so the effects used are minimal, focusing on equipment that supports live performance.

First, the “SHURE GLX-D16 Wireless System” has been confirmed for use. This model integrates a wireless receiver and tuner, allowing for stable wireless connections with minimal sound quality degradation. Given DEXCORE’s intense stage performances, the freedom of movement without being tethered by cables is a significant advantage, contributing to a more aggressive presentation of Yumeto’s playing.

Next, “FretWraps Stealth” is mentioned. While not strictly an effect, it is a muting accessory that reduces unwanted resonance from the strings. In metalcore, where open low strings are frequently used, unnecessary overtones and noise can easily mix in. By using FretWraps, Yumeto can maintain a tight and noise-free sound, which is essential for enhancing precision during breakdowns and fast riffs.

Additionally, accessories like the GRUVGEAR Club Bag Dekade Edition and Kapsule case have been confirmed. While these do not directly affect sound, they are crucial tools for safely and efficiently transporting gear, supporting professional activity.

On the other hand, there is no clear record of typical distortion or spatial effects being used. However, considering the genre, it is likely that he primarily relies on the “amp’s direct distortion” while adding light delay or reverb as needed. This could be supplemented by built-in functions on the PA or amplifier, and it is assumed that Yumeto adjusts his setup based on the stage size.

Overall, Yumeto’s effects configuration emphasizes “live mobility,” “noise control,” and “sound quality maintenance.” Unlike the complex pedalboards often seen in metalcore, his setup is characterized by its simplicity, maximizing effectiveness with minimal gear. Therefore, it is assumed that Yumeto’s pedalboard consists of essential professional equipment.

Tone Settings, EQ, and Mixing Approaches

Yumeto’s sound design is meticulously crafted to achieve the “overwhelming sound pressure” and “clear melodies” characteristic of DEXCORE’s music. In metalcore and deathcore, the guitar often dominates the mix, making it essential to consider not just distortion but also EQ adjustments, amplifier channel switching, and processing at the PA stage.

Regarding amplifier settings, when using a Marshall (assumed JCM/JVM series), the gain is likely set high but not overly saturated. The low-end is boosted to provide power during breakdowns, but excessive boosting can interfere with the bass drum, so it is common to manage the low-end at the PA level. It is assumed that Yumeto keeps the lows slightly restrained on the amp, emphasizing only the necessary frequencies at the PA level.

Example EQ balances might include:

• Low Frequencies (80Hz–120Hz): Adjusted to provide presence without overlapping with the bass and kick drum.
• Mid Frequencies (800Hz–1.5kHz): Emphasizes the contour of riffs, creating the sharpness unique to DEXCORE.
• High Frequencies (3kHz–6kHz): Ensures clarity in picking attack and lead lines.

Such settings are assumed to be in place. The handling of mid frequencies is particularly crucial, as it enhances the crisp texture of Marshall while reinforcing the rich midrange of Orange, adding thickness to the sound.

Additionally, there are strategies for differentiating tones across songs. For aggressive tracks like “BLACK PIG” and “Self-Hatred,” high-gain settings are prioritized, with further low-end adjustments during breakdowns. Conversely, for more melodic songs, light delay and reverb may be added via PA or built-in amplifier effects to create a sense of space.

During live performances, Yumeto switches amplifier channels instantly between clean, lead, and rhythm. In clean sections, he likely reduces lows and slightly lowers mids to create transparency, ensuring a distinct separation from the vocals. This channel-switching enhances the dramatic elements of DEXCORE’s songs, especially when clean sections precede breakdowns.

Furthermore, double-tracking the guitar is a fundamental aspect of the mixing process. By panning Yumeto’s parts left and right, a wall of sound is created, culminating in DEXCORE’s “wall of sound” effect. During this process, one side may primarily feature Marshall while the other leans toward Orange, adding depth and thickness even to the same phrases.

Noise reduction and muting techniques (like FretWraps Stealth) are also employed to meticulously manage unwanted reverberation during breaks or stop-motion moments. This is a crucial element in rhythm-heavy metalcore, elevating Yumeto’s sound design to a professional level.

In summary, Yumeto’s sound design balances “low-end management,” “mid-range emphasis,” and “high-end clarity,” leveraging the characteristics of both Marshall and Orange to construct DEXCORE’s unique sound.

Affordable Alternatives to Recreate the Tone

Yumeto’s sound is supported by a professional setup combining the Ormsby HYPEMACHINE and a full Marshall stack, but acquiring all this gear can be quite expensive. Here, we will introduce commercially available products that allow beginners to intermediate players to achieve a “DEXCORE-like” heavy yet clear sound at a relatively affordable price.

For amplifiers, since the Marshall JVM and Orange heads are costly and complex to handle, multi-effects processors utilizing modeling technology can be effective. The BOSS GT-1000 and Line 6 POD Go include Marshall and Orange amp models, making them suitable for both home practice and live performances. The POD Go, in particular, is budget-friendly and well-suited for simulating tight low-end and crisp riff sounds like Yumeto’s.

As for guitars, while it may be challenging to find models closely resembling the Ormsby HYPEMACHINE, selecting 7-string guitars or baritone models can yield similar nuances. The Ibanez RG series and Schecter C-7 are multi-string models available for around $500, designed to emphasize low-end stability, bringing players closer to DEXCORE’s signature downtuning sound.

For noise control, incorporating noise reduction pedals like the “ISP Decimator II” or “BOSS NS-2” can help replicate the clean riffs Yumeto achieves with FretWraps. These are essential for expressing the “stop” moments in low-end riffs clearly.

A great beginner option is the BOSS “Katana-50 MkII.” This amp not only provides Marshall-like distortion but also includes built-in effects for reverb and delay, making it versatile for practice and small gigs. Even if you cannot afford a wireless setup like Yumeto’s, a cable connection will suffice for achieving a similar sound.

By combining these pieces of gear, players can approach DEXCORE’s sound for under $1,000. Focusing on “7-string guitars that support low-end,” “Marshall/Orange modeling amps,” and “thorough noise management” will bring you closer to Yumeto’s powerful sound.

Summary and Conclusion

Yumeto’s sound design is not merely about gear selection; it is a crucial element that embodies the world of DEXCORE. His sound features a coexistence of “overwhelming low-end” and “clear lead lines,” achieved through a meticulously chosen combination of guitars, amplifiers, and accessories.

The Ormsby HYPEMACHINE H1, which he primarily uses, embodies the modern metal aesthetic with its multi-scale structure, balancing tight low-end during downtuning with smooth playability in the high range. This “power of low-end and clarity of high-end” forms the foundation of Yumeto’s sound, giving an overwhelming presence to riffs and solos in DEXCORE’s music.

On the amplifier side, the fusion of Marshall’s linear, hard sound with Orange’s warm midrange ensures that both “sound pressure and clarity” are maintained in both live and studio settings. Additionally, the use of noise reduction and FretWraps to meticulously control unwanted reverberation highlights the precision of his riff work.

Regarding effects, Yumeto’s setup is minimal yet practical, focusing on elements like wireless systems and noise management that do not hinder performance. Thus, his pedalboard is optimized not for altering sound but for delivering it purely.

Notably, Yumeto’s sound design enhances the “dramatic elements of each song.” During breakdowns, he creates a heavy wall of sound, while in melodic sections, he lightly layers spatial effects to evoke resonance. This dynamic range emphasizes DEXCORE’s musicality, drawing listeners into an overwhelming atmosphere.

In conclusion, the essence of Yumeto’s sound design lies in “simplicity and thoroughness.” By centering on the classic combination of multi-string guitars and tube amplifiers while meticulously managing noise and mixing, he has built a sound that represents the ideal form of the genre. Players aspiring to replicate this should focus not only on the gear itself but also on “which frequencies to emphasize” and “which to suppress” in their sound design.

For guitarists captivated by DEXCORE’s music and eager to pursue Yumeto’s sound, the gear and settings introduced here will serve as an excellent guide. We encourage you to incorporate them into your setup and challenge yourself to achieve that “balance of sound pressure and clarity.”