[Hattori] – How to Recreate the Macaroni Enpitsu Sound + Guitar Gear and Tone Settings [Effects & Amps]

Introduction (Overview of Tone)

Hattori, the guitarist and vocalist of Macaroni Enpitsu, has become one of the most notable figures in today’s Japanese indie rock scene.
Rather than pursuing flashy technical guitar skills, his approach is centered on enhancing the overall beauty of the song, which makes his style stand out.

The core of Hattori’s sound-making lies in his dedication to producing a clear, pristine clean tone.
In songs like “Blueberry Nights” and “Summer Koi Sensation,” you can hear how he seamlessly transitions from transparent cleans to natural breakup and light overdrive depending on the section of the track.

Particularly impressive are the tones that come from his beloved guitars: the Epiphone Elitist Casino (nicknamed “Shigeru”) and the Fender Telecaster (nicknamed “Kinako”).
These instruments deliver warm yet solid tones and are frequently used in songs such as “Sentakuki to Kimi to Radio” and “Lemon Pie,” forming a key part of Macaroni Enpitsu’s musical identity.

Hattori’s playing shows the influence of artists like Tamio Okuda, Weezer, and Oasis, while still transforming these inspirations into something unique and modern.
His style—valuing melodic lines while occasionally capturing the listener’s heart with emotional lead playing—offers valuable lessons for guitarists seeking both simplicity and depth in their tone.

▶ Search official YouTube videos of Macaroni Enpitsu

List of Amplifiers and Features [Macaroni Enpitsu – Hattori]

Hattori’s amplifier choices directly reflect his musical philosophy.
His main workhorse is the DV MARK JAZZ 212, which plays a vital role in achieving the “beautiful clean tone” he always seeks.

DV MARK, an Italian manufacturer known for high-quality amps, is especially praised for its clarity and warmth in clean tones.
The JAZZ 212 is notable for its warm valve-like sound and the natural character of its breakup.
Hattori’s smooth transitions between clean passages and mild overdrive sections in Macaroni Enpitsu’s songs are a direct result of this amp’s characteristics.

The 2×12-inch speaker configuration of the JAZZ 212 provides sufficient volume for both live and studio environments while still allowing for precise tone control.
Its rich midrange helps maintain the balance between Hattori’s vocals and guitar, keeping both present without clashing.

When choosing amplifiers, Hattori prioritizes harmony with the songs rather than chasing aggressive distortion or extreme gain.
This philosophy is an essential factor behind the approachable yet refined sound of Macaroni Enpitsu’s music.
Based on available evidence, this setup is strongly assumed to be his primary choice.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Notes
JAZZ 212	DV MARK	Amazon Search	Macaroni Enpitsu	Hattori	An Italian-made amplifier with a strong reputation for its beautiful clean tones. Hattori’s main gear to achieve his signature clarity.

Types of Guitars Used and Features [Macaroni Enpitsu – Hattori]

Hattori’s guitar collection tells the story of his musical roots and his deep aesthetic sense.
A particularly charming detail is that he gives each guitar a nickname, reflecting his genuine affection for his instruments.

One of his main guitars is the Epiphone Elitist Casino (nicknamed “Shigeru”), a top-quality Japanese-made model from 1984.
This guitar, inspired by The Beatles, is a very “Hattori-like” choice and has been used in songs such as “Sentakuki to Kimi to Radio,” “Ikiru o Suru,” and “Lemon Pie.”
Its fully hollow construction without a center block produces a thicker tone compared to standard semi-hollow guitars, making it versatile for both rhythm and lead playing.

The Fender Telecaster (nicknamed “Kinako”) is another signature guitar, used prominently in tracks like “Summer Koi Sensation,” “Mr. Blue Sky,” and “Supernova.”
Its bright, cutting tone gives Macaroni Enpitsu’s music a distinct shimmer. The Telecaster’s sharp attack and beautiful sustain complement Hattori’s playing style perfectly.

Other important instruments include the Gibson Les Paul Standard and various Fender Stratocasters, chosen depending on the song’s character.
Notably, he owns an Eastwood Airline Map DLX (nicknamed “Apollon No.1”) and a Fano Guitars Oltre (nicknamed “Apollon No.2”), both purchased from the Niigata music store Aporon.
These vintage-style guitars highlight his broad musical vision and warm connection with local instrument shops.

Among his Gibson collection are models like the SG Standard, Explorer, and Firebird, often used in heavier rock-oriented tracks.
For example, the Explorer was featured in “PRAY.,” where its powerful sound added dramatic weight to the arrangement.

For acoustic playing, his long-time companions are the Epiphone FT-45 CORTEZ (nicknamed “Elaiza”) and the Gibson J-45.
These instruments play a key role in ballads and acoustic renditions, showcasing the softer side of Hattori’s expression.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Type	Notes
Elitist Casino	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Semi-hollow	Nicknamed “Shigeru.” A top-class 1984 Japanese model, famously used by The Beatles. One of Hattori’s main guitars, heard in many songs.
Telecaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Nicknamed “Kinako.” Bright and cutting tone. Used in “Summer Koi Sensation” and others.
Stratocaster (Fernandes)	Fernandes	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	First guitar bought by his father, with sentimental value.
Stratocaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Used in “Blueberry Nights” and “Young Adult.” His second guitar, gifted by his father.
Airline Map DLX	Eastwood	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Nicknamed “Apollon No.1.” Purchased at Aporon. Beautiful vintage-style look.
Les Paul SG Standard	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Nicknamed “Suga-chan.” Used in “August no Kagerou.” Strong rock sound.
Les Paul Standard	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Nicknamed “Torajiro.” Purchased in Kobe. Used in “Happy End e no Kitai wa.”
Oltre	Fano Guitars	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Nicknamed “Apollon No.2.” Custom-made high-quality guitar, purchased at Aporon.
Explorer	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric guitar	Used in “PRAY.” Known for its fat, powerful low-mid sound.
FT-45 CORTEZ	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Acoustic	Nicknamed “Elaiza.” Used in songs like “Hadaka no Tabibito” and “Kiss o Shiyou.”
J-45	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Acoustic	Purchased in Osaka’s Shinsaibashi. A legendary model loved by countless musicians.

Effects and Pedalboard Setup [Macaroni Enpitsu – Hattori]

Hattori’s pedalboard setup perfectly reflects his practical, music-first approach.
Using a Pedal Train board as the foundation, his effects are carefully arranged to balance reliability on stage with rich tonal variety.

At the core of his drive section is the BOSS BD-2W Blues Driver.
Part of the Waza Craft series, it retains the clarity of the original tone while adding natural breakup, enabling Hattori’s trademark transitions from clean to subtle drive.
Its strong midrange presence allows the guitar to remain audible in the band mix without overpowering the ensemble.

For heavier tones, Hattori relies on the LANDGRAFF DYNAMIC OD, a boutique overdrive pedal capable of producing high-gain yet highly articulate sounds.
Even at strong gain levels, the notes remain distinct and chords stay clear, making it ideal for Macaroni Enpitsu’s more rock-driven tracks.

In the modulation department, the MXR M234 Analog Chorus provides warm, 80s-inspired spaciousness.
Its analog circuitry gives his clean arpeggios and ballads an emotional depth while avoiding the harshness of digital modulation.
This lush chorus effect has become an essential part of his clean tone.

The MXR Micro Amp functions as a transparent booster, allowing Hattori to increase his volume for solos or balance out levels between pedals.
It adds presence without altering tone, making it invaluable in live performances.

Power is supplied by Voodoo Lab units, ensuring noise-free operation with stable voltage.
A high-quality power supply is critical in professional rigs, and this choice helps maintain the clarity that defines Hattori’s sound.

Beyond these core pedals, multiple BOSS compact effects, Electro-Harmonix, and Xotic pedals have been spotted on his board.
Though not all models are confirmed, it’s clear that he tailors his setup flexibly depending on the live situation and the song requirements.
This demonstrates his philosophy: always letting the music dictate the gear, not the other way around.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Effect Type	Notes
BD-2W Blues Driver	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Waza Craft series. Provides natural breakup while maintaining tonal clarity, ideal for transitions from clean to drive.
DYNAMIC OD	LANDGRAFF	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Boutique-level pedal delivering transparent yet powerful gain, great for rock-heavy songs.
M234 Analog Chorus	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Chorus	Warm, 80s-inspired spaciousness. Adds depth and shimmer to clean tones and ballads.
Micro Amp	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Booster	Transparent boost for solos and level balancing. Enhances presence without altering tone.
Power Supply (Model Unknown)	Voodoo Lab	Amazon Search	Macaroni Enpitsu	Hattori	Power Supply	Ensures stable, noise-free operation in professional setups.
Pedalboard	Pedal Train	Amazon Search	Macaroni Enpitsu	Hattori	Pedalboard	Reliable pro-level board. Designed for practical and flexible setups.
Compact Effects (Multiple)	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Multi-effects	Various BOSS pedals used depending on the song. Specific models not fully confirmed.
Effects (Unconfirmed Model)	Electro-Harmonix	Amazon Search	Macaroni Enpitsu	Hattori	Modulation	Known for unique tones. Exact models not yet identified.
Effects (Unconfirmed Model)	Xotic	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Boutique-quality pedal, model unspecified but often used by professionals.

Instagram Post Info:
Detailed photos of Hattori’s pedalboard have been shared on Instagram. In addition to the pedals listed above, several other effects are visible. As more live photos and interviews appear, further details about his board may become confirmed.

Tone Settings, EQ, and Mixing Approaches [Macaroni Enpitsu – Hattori]

In Hattori’s sound design, EQ and mixing choices are just as critical as the gear itself. His philosophy revolves around balancing the pristine clarity of clean tones with the warmth of natural overdrive. Below is a breakdown of how his approach shapes the overall sound.

EQ Adjustments:
Hattori typically emphasizes the midrange to ensure his guitar does not get buried in the mix. For clean tones, he often reduces the treble slightly while boosting the low-mid frequencies. This produces warmth and body while avoiding harshness, helping his tone blend seamlessly with vocals. In contrast, for driven tones, the EQ settings lean toward keeping mids forward while controlling the bass to avoid muddiness.

Overdrive and Effects Settings:
His BOSS BD-2W Blues Driver is dialed to add gentle, organic grit rather than heavy distortion. Gain is usually set low-to-medium, with the tone control slightly rolled back for smoothness. This lets his clean passages transition effortlessly into breakup.
The MXR M234 Analog Chorus is typically applied subtly, giving arpeggios shimmer and ballads emotional depth without overwhelming the core tone. Delay and reverb, when used, are kept at short to medium decay times to create depth while preserving articulation.

Channel Switching and Dynamics:
On stage, Hattori makes frequent use of channel switching and pedal layering rather than relying on high-gain channels. For dynamic contrasts, he shifts between sparkling cleans and edge-of-breakup tones, often boosting with the MXR Micro Amp for solos. This approach keeps the guitar expressive and dynamic rather than compressed into one static tone.

Mixing Considerations:
From a studio engineering perspective, Hattori’s guitar tracks are layered thoughtfully with vocals and rhythm instruments. Engineers often apply light compression to control peaks without squashing dynamics, combined with plate-style reverb to add depth. Subtle EQ notches around the vocal range help prevent clashes, ensuring the guitar supports rather than competes with melodies. His guitar tone typically sits slightly left or right in the stereo field, giving space for bass and vocals in the center.

Song-Specific Adjustments:
In “Blueberry Nights,” the guitar tone leans toward sparkling cleans with chorus for atmosphere. In “Summer Koi Sensation,” the Telecaster’s brightness is emphasized with higher mids and less low end for a cutting summer feel. For heavier tracks like “PRAY.,” Explorer or Les Paul guitars are paired with higher-gain settings, but still mixed with clarity to retain definition.

Live vs. Studio Approaches:
Live, Hattori tends to keep EQ settings more neutral, relying on pedal adjustments and amp positioning to adapt to the room. In studio work, tones are more sculpted—engineers may double-track rhythm guitars or blend a clean DI with the amp signal for precision. Re-amping techniques are also suspected, giving engineers flexibility to fine-tune overdrive levels after tracking.

All of these methods highlight his consistent focus: clarity, warmth, and balance. While the exact knob positions change depending on the environment, his overarching goal is always the same—enhancing the song’s emotion rather than showcasing technical gear settings. This, combined with his tasteful EQ and dynamic layering, defines the sonic identity of Hattori’s guitar tone. Based on available evidence, these approaches are strongly assumed to be his methods.

Affordable Alternatives to Recreate the Tone [Macaroni Enpitsu – Hattori]

For many guitarists who admire Hattori’s sound, the reality is that his vintage guitars (like the Gibson Les Paul or Epiphone Elitist Casino) and boutique pedals (such as the LANDGRAFF DYNAMIC OD) are often out of reach due to their price.
However, by understanding the essence of his tone and carefully selecting cost-effective gear, it is entirely possible to get surprisingly close to his sound without breaking the bank.

The heart of Hattori’s tone can be distilled into three elements:
① Warm, vintage-style overdrive
② Spatial depth created with modulation and ambience effects
③ Tonal variations through different guitars depending on the song
By replicating these aspects, affordable gear can capture the spirit of Macaroni Enpitsu’s sound.

A key example is the BOSS BD-2 Blues Driver, which shares the tonal DNA of Hattori’s BD-2W Waza Craft. This pedal delivers warm, vintage-flavored overdrive at a very accessible price point. Similarly, MXR pedals such as the M234 Analog Chorus and Micro Amp are affordable yet powerful tools for reproducing his clean spacious tones and solo boosts.

When it comes to guitars, Epiphone and Squier models provide excellent alternatives to Hattori’s main axes.
The Epiphone Casino Coupe captures much of the hollow, P-90-driven warmth of his Elitist Casino “Shigeru,” while the Squier Classic Vibe Telecaster delivers the bright, cutting tones of his Fender Telecaster “Kinako.” Likewise, Squier’s Classic Vibe Stratocasters allow players to approach the tones of “Blueberry Nights” and “Young Adult” without the high price tag of a Fender USA model.

Acoustic players can also emulate his Gibson J-45 ballad tones with more affordable Epiphone acoustics like the AJ-220S, which delivers similar warmth and projection at a fraction of the price.

Below is a curated list of gear options, all falling within roughly $100–$500, designed for players who want to achieve Hattori’s tones without overspending. Each item includes a note on why it matches Hattori’s sound and in which contexts it shines.

Type	Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Notes
Electric Guitar	Squier Classic Vibe ’60s Stratocaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Affordable Strat alternative that recreates the warm, Alnico-pickup-driven tones of “Blueberry Nights” and “Young Adult.”
Electric Guitar	Epiphone Casino Coupe	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	A budget-friendly semi-hollow that delivers P-90 warmth close to his Elitist Casino “Shigeru.” Perfect for songs like “Sentakuki to Kimi to Radio.”
Electric Guitar	Squier Classic Vibe ’50s Telecaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Bright, cutting tones similar to his Telecaster “Kinako.” Great for upbeat tracks like “Summer Koi Sensation.”
Effect Pedal	BOSS BD-2 Blues Driver	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Budget-friendly version of his BD-2W. Delivers warm overdrive perfect for emotional rhythm and lead tones.
Effect Pedal	MXR M148 Micro Amp	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Transparent boost for solos or enhancing amp breakup. Matches Hattori’s live setup approach.
Effect Pedal	MXR M234 Analog Chorus	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Identical model to Hattori’s. Natural, lush chorus tones for clean arpeggios and ballads.
Effect Pedal	BOSS DD-3T Digital Delay	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Great substitute for delay pedals on his board. 800ms delay time and tap tempo for live adaptability.
Effect Pedal	Electro-Harmonix Small Clone	Electro-Harmonix	Amazon Search	Macaroni Enpitsu	Hattori	Affordable chorus pedal with vintage character. Adds unique movement to clean parts.
Amp	Fender Blues Junior IV	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Compact tube amp offering warm cleans close to his DV MARK JAZZ 212. Perfect for small gigs and practice.
Multi-Effect	BOSS GT-1	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Compact, affordable multi-effects unit. Includes BD-2-style overdrive, chorus, and delay. Beginner-friendly and gig-ready.
Acoustic Guitar	Epiphone AJ-220S	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Affordable alternative to Gibson J-45. Produces warm strumming tones suitable for ballads like “Hadaka no Tabibito.”
Effect Pedal	Xotic EP Booster	Xotic	Amazon Search	Macaroni Enpitsu	Hattori	Clean boost modeled after the Echoplex preamp. Adds warmth and dimension, often used as an always-on pedal.

By combining these alternatives, a guitarist can build a full Hattori-inspired setup for roughly $800–$1200.
The most important takeaway is not to obsess over owning the exact same gear but rather to understand the song’s emotion and context. With thoughtful settings and practice, these affordable tools can capture the heart of Macaroni Enpitsu’s sound remarkably well.

Summary and Conclusion [Macaroni Enpitsu – Hattori]

After analyzing Hattori’s guitar sound in depth, it becomes clear that the essence of his tone lies in “carefully chosen gear and emotionally sensitive playing designed to express the world of each song.”
He is not simply a gear collector; instead, his background in music theory and his deep love for pop music combine to form the mindset of a true sound creator.

One of the most distinctive aspects of his guitar selection is choosing the right instrument for the right song.
For example, in “Sentakuki to Kimi to Radio,” he uses the Epiphone Casino “Shigeru” to bring warmth and intimacy, while in “Summer Koi Sensation,” he switches to the Telecaster “Kinako” for its bright, sparkling tones.
This deep connection between song character and instrument choice is the true foundation of Hattori’s sound.

His philosophy with effects follows the same principle.
He often relies on staples like the BOSS BD-2W, MXR Analog Chorus, and MXR Micro Amp. Rather than using effects to dominate the music, he employs them tastefully to highlight emotion.
This restraint creates the perfect balance between familiarity and depth in Macaroni Enpitsu’s songs.

Even with amplifiers, his choice of the DV MARK JAZZ 212 shows his emphasis on clarity and warmth. Though compact, it delivers beautiful cleans and natural breakup suitable for venues ranging from small live houses to large arenas.
It reflects his practical mindset—always balancing quality and usability.

The most important lesson to take from Hattori’s approach is this: a good sound comes from musical understanding and emotion, not the price tag of the gear.
The fact that he still treasures his first affordable acoustic guitar from middle school and a Fernandes Stratocaster given by his father shows that the bond with the instrument itself fuels the warmth in his tone.

From a technical perspective, his sound is built on three pillars:
① Controlled transitions between clean and drive
② Use of modulation and ambience for depth
③ Dynamic expression aligned with song structure
These elements are not bound to expensive equipment; they are skills any guitarist can develop through practice and attentive listening.

In Macaroni Enpitsu’s music, Hattori’s guitar rarely shouts for attention. Instead, it supports the vocal melody and enriches the overall atmosphere.
This shows a maturity in musical thinking—prioritizing the song over personal display. It is precisely this humility and awareness that makes his sound resonate with so many listeners.

For those seeking to emulate his sound, the crucial step is not to copy every detail of his rig but to approach songs with genuine love and understanding.
Whether it’s the tenderness in “Nandemonaiyo,” the bittersweetness in “Koibito Gokko,” or the freshness of “Seishun,” the goal is to channel emotion through guitar tone.
That sensitivity, more than any specific pedal or amp, is the real secret to recreating Hattori’s magic.

Ultimately, Hattori’s guitar work reminds us of a timeless truth: “true musical expression is determined not by the gear itself, but by the heart of the player.”
By adopting this mindset, and by studying his approach as a guide, any guitarist can move closer to achieving their own authentic sound that goes beyond equipment.