[Hattori] – How to Recreate the Macaroni Enpitsu Sound + Guitar Gear and Tone Settings [Effects & Amps]

Introduction (Overview of Tone)

Hattori, the guitarist and vocalist of Macaroni Enpitsu, is widely recognized as one of the standout figures in today’s Japanese indie rock scene.
His guitar style is not about flashy technical displays but rather about serving the beauty of the entire song, prioritizing musicality over virtuosity.

The core of Hattori’s sound-making lies in his strong commitment to producing clean tones with clarity and warmth.
In signature tracks like “Blueberry Nights” and “Summer Love Sensation,” you can hear the delicate transitions between transparent cleans and naturally driven tones, showcasing his mastery of dynamic control within the music.

One of the most notable aspects of his tone comes from his beloved guitars such as the Epiphone Elitist Casino (nicknamed “Shigeru”) and the Fender Telecaster (nicknamed “Kinako”).
These instruments create a warm yet firm tone, often heard in songs like “Sentakuki to Kimi to Rajio” and “Lemon Pie,” becoming crucial elements in shaping Macaroni Enpitsu’s musical identity.

Hattori’s guitar approach is influenced by predecessors like Tamio Okuda, Weezer, and Oasis, but he transforms those inspirations with his own modern sensibilities.
His way of valuing melody lines while occasionally delivering emotional lead parts captures listeners’ hearts and offers countless insights for aspiring guitarists.

▶ Search official YouTube videos of Macaroni Enpitsu

List of Amplifiers and Features [Macaroni Enpitsu · Hattori]

Hattori’s choice of amplifiers reflects his musical philosophy very clearly.
His main amp is the DV MARK JAZZ212, which is a crucial piece of gear for achieving the “beautifully clean tone” he constantly seeks.

DV MARK is an Italian brand known for producing high-quality amps, and the JAZZ212 is especially praised for its pristine cleans.
The warmth of its tube-driven sound and the natural way it transitions into overdrive give Hattori the flexibility to move smoothly from sparkling clean tones to lightly overdriven textures.
This smooth transition is one of the defining aspects of his live and studio performances.

The JAZZ212 is built with a dual 12-inch speaker configuration, ensuring enough volume for both live venues and studio recording sessions while maintaining fine tonal control.
Its rich midrange plays a critical role in balancing Hattori’s vocals and guitar tones, allowing the two to complement each other instead of clashing.

When choosing amps, Hattori always prioritizes how the sound blends with the overall arrangement rather than chasing extreme distortion or excessive gain.
This philosophy is key to Macaroni Enpitsu’s music, striking a balance between accessibility and sophistication in their sound.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Notes
JAZZ212	DV MARK	Amazon Search	Macaroni Enpitsu	Hattori	A highly regarded Italian-made amp known for its beautiful cleans. Hattori’s go-to amplifier for producing clear and natural tones.

Types of Guitars Used and Features [Macaroni Enpitsu · Hattori]

Hattori’s guitar collection is a fascinating lineup that reflects both his musical roots and his aesthetic sense.
One unique aspect is the affectionate nicknames he gives to each guitar, showing the deep personal bond he shares with his instruments.

One of his main guitars is the Epiphone Elitist Casino (nicknamed “Shigeru”), a top-quality Japanese-made model from 1984.
This guitar, inspired by the Beatles’ legacy, has been prominently used in songs such as “Sentakuki to Kimi to Rajio,” “Ikiru wo Suru,” and “Lemon Pie.”
Its fully hollow semi-acoustic design without a center block produces a thicker sound than typical semi-hollows, making it versatile for both rhythm and lead parts.

The Fender Telecaster (nicknamed “Kinako”) is another key instrument, featured in “Summer Love Sensation,” “Mr. Blue Sky,” and “Supernova.”
Its bright and sharp tone gives Macaroni Enpitsu songs a sparkling character. The Telecaster’s strong attack and sustained clarity match Hattori’s playing style perfectly.

Other important guitars in his arsenal include the Gibson Les Paul Standard and various Fender Stratocasters, which he switches between depending on the character of each song.
Notably, he also owns an Eastwood Airline Map DLX (nicknamed “Apolon No.1”) and a Fano Guitars Oltre (nicknamed “Apolon No.2”), both purchased from the local Niigata shop “Aporon.” These vintage-inspired guitars highlight his wide musical vision and warm relationship with regional music stores.

Among Gibson models, he also owns an SG Standard, Explorer, and even a Firebird. These guitars shine particularly in rock-oriented songs, with the Explorer famously used in “PRAY.” for its powerful low-mid heavy sound.

For acoustic performances, Hattori relies on his long-time companions: the Epiphone FT-45 CORTEZ (nicknamed “Elaiza”) and the Gibson J-45.
Both instruments are frequently used in ballads and acoustic arrangements, adding depth and warmth to the band’s softer side.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Type	Notes
Elitist Casino	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Semi-acoustic	Nicknamed “Shigeru.” A 1984 Japanese-made high-end model, inspired by the Beatles. Used in many core songs.
Telecaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Nicknamed “Kinako.” Bright and sharp tone, used in “Summer Love Sensation” and other tracks.
Stratocaster (Fernandes)	Fernandes	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	The first guitar Hattori received from his father, holding strong sentimental value.
Stratocaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Used in “Blueberry Nights” and “Young Adult.” A second Strat gifted by his father.
Airline Map DLX	Eastwood	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Nicknamed “Apolon No.1.” Bought from Niigata’s “Aporon.” Features vintage-inspired aesthetics.
Les Paul SG Standard	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Nicknamed “Suga-chan.” Used in “Hachigatsu no Kagerou.” Known for its powerful rock tone.
Les Paul Standard	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Nicknamed “Torajiro.” Purchased in Kobe. Used in “Expectation for a Happy Ending.”
Oltre	Fano Guitars	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Nicknamed “Apolon No.2.” Custom-ordered, high-quality build from Aporon store.
Explorer	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Electric Guitar	Used in “PRAY.” Delivers thick, powerful low-mid tones.
FT-45 CORTEZ	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Acoustic Guitar	Nicknamed “Elaiza.” Used in “Hadaka no Tabibito,” “Kiss wo Shiyou,” and many other songs.
J-45	Gibson	Amazon Search	Macaroni Enpitsu	Hattori	Acoustic Guitar	Bought in Osaka’s Shinsaibashi. A legendary model loved by countless musicians.

Effects and Pedalboard Setup [Macaroni Enpitsu · Hattori]

Hattori’s pedalboard setup reflects his practical approach to music-making, prioritizing reliability and high sound quality.
His pedals are organized on a Pedal Train board, creating a compact yet effective system that balances consistency for live use with tonal versatility.

At the heart of his overdrive section is the BOSS BD-2W Blues Driver.
Part of the Waza Craft series, this pedal preserves the clarity of the original guitar tone while adding smooth, natural overdrive. It is crucial for reproducing his signature transition from clean tones to gentle breakup.
The BD-2W especially emphasizes the midrange, ensuring the guitar remains present in the mix without overpowering other instruments.

For higher-gain situations, he employs the LANDGRAFF DYNAMIC OD, a boutique overdrive pedal.
It is known for producing a transparent distortion that maintains note clarity, even when playing complex chords. This makes it perfect for songs that lean into rock-oriented intensity, giving weight and power without sacrificing musical detail.

In the modulation section, the MXR M234 Analog Chorus plays a central role.
This chorus pedal provides lush, 80s-style spaciousness, especially when used on clean arpeggios or in ballads. Its analog circuitry ensures warmth and a natural shimmer without noticeable tonal degradation.

The MXR Micro Amp functions as his clean boost, enhancing volume for solos or balancing levels across pedals.
Its transparent boost design increases loudness and presence without altering the tone, which is particularly valuable during live performances.

For power, Hattori relies on a Voodoo Lab power supply, ensuring stable current delivery and reducing unwanted noise. Reliable power is a vital part of any professional pedalboard.

Other pedals spotted on his board include multiple BOSS compact pedals, Electro-Harmonix effects, and Xotic boutique pedals. These are often rotated depending on the song or live setting, highlighting his flexible yet focused approach to sound design.
Overall, his pedalboard reflects a philosophy of enhancing the music without overloading it with effects—always keeping the song at the center.

Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Effect Type	Notes
BD-2W Blues Driver	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Waza Craft edition. Natural overdrive that transitions beautifully from clean to driven tones.
DYNAMIC OD	LANDGRAFF	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Boutique-grade overdrive with transparent, high-gain clarity.
M234 Analog Chorus	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Chorus	Creates lush, spacious modulation. Particularly effective in ballads and arpeggio parts.
Micro Amp	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Booster	Boosts volume without tonal change. Used for solos and mix balancing.
Power Supply (model unknown)	Voodoo Lab	Amazon Search	Macaroni Enpitsu	Hattori	Power Supply	Delivers stable current for a noiseless pedalboard environment.
Pedalboard	Pedal Train	Amazon Search	Macaroni Enpitsu	Hattori	Pedalboard	Professional-grade board offering practical layout and durability.
Compact Pedals (multiple)	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Multi-effects	Various BOSS pedals used flexibly depending on the song.
Effect (model unknown)	Electro-Harmonix	Amazon Search	Macaroni Enpitsu	Hattori	Modulation	Known for unique tones. Specific model unconfirmed.
Effect (model unknown)	Xotic	Amazon Search	Macaroni Enpitsu	Hattori	Overdrive	Boutique-quality pedal. Exact model not confirmed.

Instagram Post Information:
Photos of Hattori’s pedalboard have been shared on Instagram, showing additional pedals beyond those listed above. More precise details may emerge through future live performance photos or his own comments.

Tone Settings, EQ, and Mixing Approaches [Macaroni Enpitsu · Hattori]

In Hattori’s sound-making process, EQ adjustments and mixing strategies play a vital role. His musical approach focuses on carefully balancing clean tones and overdriven tones, ensuring both clarity and emotional expression. Below is a summary of his typical methods for tone shaping and mixing.

EQ Adjustments:
Hattori emphasizes the midrange to secure presence within the band mix. When using clean tones, he often reduces the highs while boosting the low-mids, resulting in a warmer, rounder sound. This approach allows the guitar to blend naturally with vocals while retaining its own character.

Use of Effects:
The BOSS BD-2W Blues Driver is central to his overdrive tones, adding smooth breakup while preserving dynamics. For spatial depth, he frequently employs the MXR M234 Analog Chorus, which enriches arpeggios and clean strumming parts. This combination creates a tone that feels deep, emotional, and sonically wide without overwhelming the mix.

Mixing Approaches:
In mixing, Hattori’s guitar tracks are layered with care to avoid interfering with vocals and other instruments. Engineers often apply subtle compression and reverb, giving the guitar a polished texture that complements the band’s sound. By adjusting reverb tails and EQ for each song, his guitar remains supportive rather than dominant, contributing to the overall balance.

Another key point is channel switching and amp gain staging. For dynamic songs, he shifts from clean to mild drive channels, enhancing dramatic contrasts without sudden tonal harshness. In live settings, this ensures seamless transitions between emotional verses and powerful choruses.

From a production perspective, mix layering is also crucial. Hattori’s guitars are often panned slightly left or right to create space for vocals at the center. The addition of chorus or subtle delay effects spreads the stereo image, making the guitar sound expansive while keeping the arrangement uncluttered.

Overall, Hattori’s tone philosophy can be described as musical restraint with emotional depth. His EQ, effects, and mixing approaches work together to emphasize warmth and transparency rather than aggressive distortion. This ensures that Macaroni Enpitsu’s songs maintain their approachable pop sensibility while offering refined sonic textures.

These choices reflect not only his technical awareness but also his sensitivity as both a vocalist and guitarist. His sound-making is less about gear-driven excess and more about thoughtful expression that highlights the song’s atmosphere. This approach sustains the balance of intimacy and sophistication that defines the band’s sound.
Thus, his EQ and mixing settings are considered carefully calculated to serve the music rather than individual showmanship.

Affordable Alternatives to Recreate the Tone [Macaroni Enpitsu · Hattori]

For guitarists who admire Hattori’s sound, his collection of vintage instruments (such as the Gibson Les Paul and Epiphone Elitist Casino) and boutique pedals (like the LANDGRAFF DYNAMIC OD) can feel financially out of reach. However, by understanding the essence of his tone and selecting smart alternatives, it is possible to get surprisingly close to his sound without spending a fortune.

The essence of Hattori’s tone can be broken down into three main elements:
① Warm, vintage-style overdrive
② Spaciousness through modulation and time-based effects
③ Flexibility in guitar choice to match each song’s mood
With these elements in mind, there are many affordable options available that can reproduce his tonal palette.

A prime example is the BOSS BD-2 Blues Driver, which offers the warm, vintage-inspired overdrive that defines much of his sound. This pedal is inexpensive yet versatile, working as both a clean boost and a mild distortion tool. Similarly, the MXR M234 Analog Chorus can replicate his use of lush modulation, while affordable delays like the BOSS DD-3T provide natural depth and space.

For guitars, Squier’s Classic Vibe series provides excellent alternatives to his main Fender Stratocasters and Telecasters at a fraction of the price, while Epiphone models such as the Casino Coupe deliver semi-hollow warmth close to his Elitist Casino. On the acoustic side, Epiphone’s AJ-220S serves as a strong, budget-friendly counterpart to his Gibson J-45.

Importantly, Hattori’s philosophy shows us that the quality of the music comes from sensitivity and understanding, not just expensive equipment. Even with affordable gear, by adjusting EQ, playing dynamics, and effect levels thoughtfully, you can get close to the emotional depth of his sound.

📷 Hattori’s Pedalboard

Instagram Reference Image

Photos of his pedalboard show brands like BOSS, Electro-Harmonix, Xotic, and Voodoo Lab. While the exact models may vary, these brands all offer relatively affordable products that deliver high-quality tones, making them realistic options for recreating his sound.View Original Instagram Post

Below is a curated list of affordable alternatives in the $100–$500 range that can help you achieve Hattori’s sound. Each item is explained in terms of why it captures a similar tonal character and how it can be applied in songs.

Type	Gear Name	Brand	Amazon Lowest Price URL	Artist	Guitarist	Notes
Electric Guitar	Squier Classic Vibe ’60s Stratocaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Recreates the warmth of Hattori’s Stratocaster tones. Alnico pickups deliver vintage clarity perfect for songs like “Blueberry Nights.”
Electric Guitar	Epiphone Casino Coupe	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	A smaller-bodied Casino that captures the essence of his Elitist Casino “Shigeru.” Produces P-90 warmth at a fraction of the price.
Electric Guitar	Squier Classic Vibe ’50s Telecaster	Fender	Amazon Search	Macaroni Enpitsu	Hattori	Affordable counterpart to his Telecaster “Kinako.” Bright, cutting tones for songs like “Summer Love Sensation.”
Pedal	BOSS BD-2 Blues Driver	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Entry-level version of his BD-2W. Provides smooth overdrive ideal for emotional indie rock tones.
Pedal	MXR M148 Micro Amp	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Exact same model Hattori uses. Transparent clean boost to raise volume for solos or push the amp harder.
Pedal	MXR M234 Analog Chorus	MXR	Amazon Search	Macaroni Enpitsu	Hattori	Same model as his live rig. Adds warmth and dimension to clean parts. Excellent for ballads.
Pedal	BOSS DD-3T Digital Delay	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Provides versatile delay times and tap tempo for precise timing, similar to delay pedals seen in his rig.
Pedal	Electro-Harmonix Small Clone	Electro-Harmonix	Amazon Search	Macaroni Enpitsu	Hattori	A legendary chorus pedal also spotted on his board. Simple operation, adds vintage shimmer.
Amp	Fender Blues Junior IV	Fender	Amazon Search	Macaroni Enpitsu	Hattori	An affordable tube amp alternative to the DV MARK JAZZ212, offering warm cleans and responsive overdrive.
Multi-effects	BOSS GT-1	BOSS	Amazon Search	Macaroni Enpitsu	Hattori	Compact multi-effects unit. Recreates BD-2 style overdrive, chorus, and delay in a single pedal. Great entry-level choice.
Acoustic Guitar	Epiphone AJ-220S	Epiphone	Amazon Search	Macaroni Enpitsu	Hattori	Budget alternative to the Gibson J-45. Produces warm strumming tones similar to “Hadaka no Tabibito.”
Pedal	Xotic EP Booster	Xotic	Amazon Search	Macaroni Enpitsu	Hattori	Commonly used in his rig. Adds warmth and dimension, works as both a solo boost and always-on enhancer.

By combining these alternatives, you can get very close to Hattori’s sound with a total investment of $800–$1,200. What truly matters is not the price of the gear but your sensitivity to the songs and how you set your equipment. With thoughtful EQ and playing techniques, these affordable tools can express the emotional essence of Macaroni Enpitsu’s music.

Summary and Conclusion [Macaroni Enpitsu · Hattori]

After analyzing Hattori’s guitar sound in depth, it is clear that the essence of his tone lies in carefully chosen gear and emotionally sensitive playing aimed at expressing the atmosphere of each song. He is not merely a collector of instruments but a true sound creator who combines his theoretical background from music school with his love for pop music.

One of the most distinctive aspects of his guitar choices is his ability to select the right instrument to match each song’s world. For example, in “Sentakuki to Kimi to Rajio,” he uses his Epiphone Casino “Shigeru” to deliver a warm, P-90-driven friendliness, while in “Summer Love Sensation,” the Telecaster “Kinako” provides a bright, cutting tone that conveys a refreshing summer feel. This deep connection between songs and instruments is the true core of the Hattori sound.

His approach to effects also reflects this philosophy. Relying primarily on staples like the BOSS BD-2W, MXR Analog Chorus, and MXR Micro Amp, he avoids flashy effects and instead uses pedals to support the overall music. This restraint creates the delicate balance of “approachability” and “depth” that defines Macaroni Enpitsu’s sound.

The choice of amplifier follows the same principle. By selecting the DV MARK JAZZ212, a compact yet high-quality jazz amp, he achieves both beautiful cleans and warm overdrive. This reflects his balance of practicality and tonal quality, fitting for venues ranging from small live houses to larger arenas.

Perhaps the most important lesson from Hattori’s sound-making is that great music comes from understanding and love for the song, not expensive gear. His attachment to his first acoustic guitar bought for only 9,000 yen during middle school and the Fernandes Stratocaster given by his father demonstrates that instruments are not just tools but partners in expression. This sense of connection infuses his sound with warmth and sincerity.

Technically, his tone rests on three pillars: the interplay between clean and overdrive, spatial effects for depth, and dynamic expression adapted to song structures. These elements can be achieved without costly gear, relying instead on skill, analysis, and creativity.

Within Macaroni Enpitsu, Hattori’s guitar does not dominate but instead supports the vocal melodies and enriches the emotional character of the music. This humility and maturity as a musician show why his sound resonates so deeply with audiences. It is a philosophy worth emulating: prioritize the music as a whole rather than individual showmanship.

When attempting to recreate his sound, the most important factor is not duplicating his gear specifications but developing a deep emotional connection and sensitivity to the songs. The sadness of “Nandemonai yo,” the bittersweetness of “Koibito Gokko,” and the freshness of “Seishun” are all carried by the way he expresses emotions through guitar tone. Capturing that essence is more valuable than replicating any pedal chain.

Ultimately, Hattori’s guitar sound teaches us a universal truth: authentic musical expression is determined not by the price of gear but by the heart of the performer. By studying his approach and applying it with your own sensibilities, you can move beyond equipment and into true artistry. Bring the warmth and depth of Macaroni Enpitsu’s sound into your own playing, and let your guitar become a vessel of genuine expression.