Introduction: The Signature of Syu’s Sound
Syu, the blazing guitarist behind GALNERYUS, is one of the key figures driving Japan’s neoclassical metal movement. His playing blends ferocious speed with melodic depth—drawing influence from Yngwie Malmsteen while establishing his own distinctive voice.
His guitar style is a fusion of rapid alternate picking, sweeping arpeggios, tapping runs, and expressive melodies rooted in classical scales. From the soaring leads in “Angel of Salvation” and “Hunting for Your Dream” to the aggressive phrasing in “Phoenix Rising,” Syu’s playing isn’t just technically masterful—it’s emotionally rich and compositionally intentional.
On the tonal side, Syu’s setup is precision-crafted for clarity and articulation. He primarily uses custom ESP CRYING STAR models paired with high-definition amps like the Diezel Hagen. This core setup delivers tight, high-gain tones with excellent note separation and depth—ideal for his intricate solos and layered arrangements.
His lead tone often receives a clean boost via pedals like the MAXON OD808 or Xotic BB Preamp, adding bite and clarity while preserving dynamics. Combined with carefully tweaked EQ and modulation effects, his sound feels simultaneously powerful and elegant.
Importantly, Syu has emphasized that he doesn’t want to be seen as a Malmsteen clone. This is reflected in his gear choices as well—favoring V-shape or custom body styles instead of Stratocaster-style guitars. He’s intentionally carved out his own visual and sonic identity.
While his main rig is highly refined, Syu is also known for his versatility. In seminars, livestreams, and side projects (like SPINALCORD), he’s used a wide range of tools including BOSS multi-effects, SANSAMP GT2, and even Bogner Uberschall pedals—demonstrating not only adaptability but a desire to educate and inspire other guitarists.
Ultimately, Syu’s guitar tone is not just about high-gain shredding—it’s a masterfully crafted ensemble sound that enhances every layer of GALNERYUS’s symphonic metal.
▶ Search GALNERYUS Official Music Videos on YouTube
Amplifiers Used by Syu [GALNERYUS]
Syu’s guitar tone demands more than just firepower—it needs separation, depth, and beautiful midrange clarity. His choice of amps reflects a careful balance between tonal complexity and precision.
In the early days of GALNERYUS, he favored multi-channel tube amps like the Hughes & Kettner TRIAMP and CORE BLADE. These offered a wide range of tones from clean to brutal distortion, ideal for the dynamic shifts in his compositions. TRIAMP, in particular, became a go-to for both stage and studio use due to its flexible channel layout.
Later on, his main amp rig shifted toward Diezel. Since the release of “Angel of Salvation,” the Diezel Hagen has been his weapon of choice. With three independent channels and razor-sharp gain tones, the Hagen delivers exceptional note definition and tightness—qualities Syu values highly for both soloing and rhythm work.
He has described the Hagen as offering “cut” and “cohesion” at the same time, making it a versatile tool in the studio and on stage. More recently, he has incorporated the Diezel D-MOLL, a MIDI-controllable head that sees frequent use in recording (notably on “Reformation Side”) and live settings due to its flexibility and dependability.
For more compact or backup setups, Syu has also used Blackstar HT-DUAL and HT-DISTX distortion pedals, especially during his SPINALCORD project. The KRANK DISTORTUS MAXIMUS pedal also played a core role during that era, offering aggressive high-gain textures well-suited for heavier phrasing.
While his amp journey has included many options, Diezel remains the foundation of his modern tone—a perfect match for the clarity and intensity of neoclassical metal.
| Gear | Brand | Amazon Link | Band | Guitarist | Notes |
|---|---|---|---|---|---|
| TRIAMP | Hughes & Kettner | Search on Amazon | GALNERYUS | Syu | Used in early live shows and recordings. Wide tonal range. |
| CORE BLADE | Hughes & Kettner | Search on Amazon | GALNERYUS | Syu | Multi-channel amp from early era. Studio/stage versatility. |
| Hagen | Diezel | Search on Amazon | GALNERYUS | Syu | Main amp since “Angel of Salvation”. High-definition 3ch amp. |
| D-MOLL | Diezel | Search on Amazon | GALNERYUS | Syu | MIDI-controllable. Used in studio/live, including “Reformation Side.” |
| HT-DUAL | Blackstar | Search on Amazon | GALNERYUS | Syu | Used as backup rig or compact live setup. |
| HT-DISTX | Blackstar | Search on Amazon | GALNERYUS | Syu | Seen in use during the SPINALCORD era. |
| DISTORTUS MAXIMUS | KRANK | Search on Amazon | GALNERYUS | Syu | Main OD/distortion pedal during SPINALCORD. Sharp, aggressive tone. |
Guitars Used by Syu [GALNERYUS]
When it comes to Syu’s guitars, nothing is more iconic than his signature ESP CRYING STAR series. These instruments are engineered for speed, clarity, and tone—qualities essential for the neoclassical shredding that defines GALNERYUS.
The original “CRYING STAR” (also referred to as the Mk-I model) featured an alder body, a Seymour Duncan TB-4 pickup, and a medium scale neck. Even in its earliest form, the model was built for articulate tone and fast, fluid playability.
Variants like the CRYING STAR-REBEL introduced active EMG pickups (EMG 89/SAV), along with modifications such as a brass nut and a mahogany body. These tweaks added sustain and modern edge to Syu’s lead tone while maintaining sharp articulation.
The CRYING STAR-PHOENIX is a Floyd Rose-equipped model famously used on the song “Phoenix Rising.” The locking tremolo and refined setup support expressive pitch modulation and tight attack—ideal for sweep picking and tapping passages.
Among the most unique models in his arsenal are the CRYING V (a 31-fret V-shape guitar) and the CRYING STAR-CLASSIC, which features a mahogany body and set-neck construction for a warmer, more vocal tone. These guitars are especially prominent in solo sections.
For heavier and modern material, Syu occasionally uses 7-string models like the CRYING SEVEN series. These were designed to accommodate low-tuned riffing while still preserving the crisp response required for solos.
During the “VETELGYUS” era, he introduced a version called the CRYING STAR-CLASSIC VETELGYUS, equipped with a mirrored pickguard and black finish—a visual and sonic standout.
ESP has also produced a wide range of custom MV models under the SYU CUSTOM series, which includes radical shapes like SNAPPER, EX, and other uniquely contoured guitars tailored to his needs.
For fans and players on a budget, EDWARDS (ESP’s more affordable line) offers high-quality alternatives with excellent specs. Models like the E-CS, E-EX, and E-FV have been used by Syu in live performances and even during his early days with GALNERYUS.
Syu’s overall guitar philosophy balances individuality with playability. While he deeply respects the Strat-style guitar, he consciously avoids it—choosing V-shapes and other custom designs to reinforce his distinct visual and tonal identity.
| Model | Brand | Amazon Link | Band | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| CRYING STAR Mk-I | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Original model: alder body, TB-4, medium scale |
| CRYING STAR-REBEL | ESP | Search on Amazon | GALNERYUS | Syu | Signature | White body, EMG pickups, SPC volume mod |
| CRYING STAR-REBEL (Modified) | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Custom brass nut, swapped pickups (SH-4 + YJM Fury) |
| CRYING STAR-PHOENIX | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Used on “Phoenix Rising”, equipped with Floyd Rose |
| CRYING V | ESP | Search on Amazon | GALNERYUS | Syu | Signature | V-shape, extended 31-fret fingerboard |
| CRYING STAR-CLASSIC | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Mahogany body, set neck, SH-2/SH-4 pickups |
| CRYING SEVEN (7-string) | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Modern tone, some models feature bridge pickup only |
| CRYING STAR-CLASSIC VETELGYUS | ESP | Search on Amazon | GALNERYUS | Syu | Signature | Black finish, mirror pickguard, used during “VETELGYUS” |
| MV | ESP | Search on Amazon | GALNERYUS | Syu | Custom | Includes SNAPPER, EX-style radical shapes |
| E-CS Series | EDWARDS | Search on Amazon | GALNERYUS | Syu | Affordable | High cost-performance signature alternatives |
| E-EX-138E SYU CUSTOM | EDWARDS | Search on Amazon | GALNERYUS | Syu | Affordable | Main guitar during early GALNERYUS period |
| E-FV-85D SYU CUSTOM | EDWARDS | Search on Amazon | GALNERYUS | Syu | Affordable | Used in early live shows |
| E-SYUNAPPER-I / E-CS-VETELGYUS | EDWARDS | Search on Amazon | GALNERYUS | Syu | Affordable | Affordable derivatives of SYU CUSTOM models |
Effects and Pedalboard Overview [GALNERYUS – Syu]
Syu’s pedalboard setup varies depending on the tour or recording session, but three core principles remain consistent:
- Transparent Boosting for solo clarity
- High-definition spatial effects (delay, reverb)
- MIDI switching for seamless control
To shape his lead tone, Syu frequently uses overdrive pedals like the MAXON OD808, Xotic BB Preamp, and BOSS SD-1. These aren’t used for distortion in the traditional sense, but rather to enhance midrange focus and tighten the overall response of high-gain amps—particularly valuable for his fast legato runs and sweeping arpeggios.
For switching, he relies on programmable loopers such as the CAJ Loop and Link II and the popular Providence PEC-2. These devices are integrated with MIDI-compatible amps like the Diezel Hagen or D-MOLL, allowing him to switch amp channels and effects presets with a single tap.
In terms of spatial effects, the TC Electronic G-Major 2 has been a cornerstone of his rig. It handles delay, chorus, and reverb duties—particularly important for his ambient lead tones. In later years, Syu has also incorporated gear like the BOSS DD-500 and strymon blueSky to achieve greater tonal depth and nuanced reverb textures.
When playing seminars, live streams, or during his work with SPINALCORD, Syu opts for compact rigs. These often include gear like the SANSAMP GT2, Bogner Uberschall Pedal, or Tech 21 preamps, offering portability without sacrificing tonal quality.
Here’s a summary of key pedals and switching systems confirmed in his setup:
| Gear | Brand | Amazon Link | Band | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| OD808 | MAXON | Search on Amazon | GALNERYUS | Syu | Booster | Always on during leads for extra mid-push and smoothness |
| BB Preamp | Xotic | Search on Amazon | GALNERYUS | Syu | Booster | Transparent overdrive, more open than OD808 |
| SD-1 | BOSS | Search on Amazon | GALNERYUS | Syu | Booster | Budget-friendly and highly effective for gain stacking |
| Loop and Link II | CAJ | Search on Amazon | GALNERYUS | Syu | Switcher | MIDI-compatible looper; pairs well with Diezel amps |
| PEC-2 | Providence | Search on Amazon | GALNERYUS | Syu | Switcher | Extensively used. Highly programmable with MIDI support |
| G-Major 2 | TC Electronic | Search on Amazon | GALNERYUS | Syu | Multi-FX (Mod/Delay) | Handles chorus, delay, and reverb in one rack unit |
| SANSAMP GT2 | Tech 21 | Search on Amazon | GALNERYUS | Syu | Preamp | Compact amp sim used for clinics and streaming |
| Uberschall Pedal | Bogner | Search on Amazon | GALNERYUS | Syu | Distortion | Heavy distortion used in SPINALCORD setups |
| DD-500 | BOSS | Search on Amazon | GALNERYUS | Syu | Delay | Modern delay with deep customization |
| blueSky | strymon | Search on Amazon | GALNERYUS | Syu | Reverb | Studio-grade reverb used for ambient solo depth |
Amp Settings, EQ, and Mixing Techniques
Syu’s signature guitar tone is the result of meticulous amp settings and precise EQ adjustments. His sound balances razor-sharp definition with a smooth lead presence—especially critical for neoclassical metal arrangements where clarity and articulation are key.
🏁 Core Amp Settings (Diezel Hagen / D-MOLL)
While exact values vary depending on venue and recording conditions, here is a general starting point based on known setups and interviews:
- Gain: Around 5–6 (tight but not overly saturated)
- Bass: 3–4 (controlled low-end to avoid muddiness)
- Mid: 6–7 (emphasized for lead vocal presence)
- Treble: 6–7 (helps articulate fast picking)
- Presence: 5–6 (adds sparkle without harshness)
Syu often adjusts volume and tone from the guitar itself during performance—especially when transitioning from rhythm to lead. His tone relies heavily on amp-driven gain, with booster pedals adding character, not distortion.
🎛️ EQ Curve Philosophy
Syu’s EQ approach is shaped by a few consistent principles:
- Mid-forward tone to cut through the mix—especially in orchestral metal where other instruments (like keyboards and strings) can mask guitar frequencies.
- Tamed low-end to keep the rhythm section tight and avoid “boominess.” Bass is handled mostly by the bassist and kick drum.
- Defined high-end that emphasizes pick attack but avoids harsh 4–5kHz spikes that can cause listener fatigue.
His live tone is often tailored to match FOH (Front of House) engineer requirements, using global EQ adjustments on the amp or outboard gear.
🎚️ Recording and Mixing Techniques
When recording in the studio (especially on albums like “Angel of Salvation” and “Reincarnation”), Syu applies the following methods:
- Records multiple layers (up to 4 rhythm tracks) using slightly different EQ and gain settings.
- Uses mid-side miking techniques with dynamic and condenser microphones (e.g., SM57 + MD421).
- Applies mild compression during mixing to glue guitar layers without losing dynamics.
- Uses post-EQ (not pre-EQ) to surgically cut problem frequencies around 200–300 Hz and 4–5 kHz.
- Sometimes adds stereo chorus or doubler FX subtly to widen solos without losing focus.
Unlike players who rely heavily on modelers or plugins, Syu’s recorded tone is typically mic’d from real amps, with reverb and delay added in post-production using units like the TC Electronic G-Major 2 or plugins such as Valhalla VintageVerb.
His overall mixing strategy aims to serve the ensemble. The guitar doesn’t dominate the track—it lives within the mix, supporting vocals, orchestra, and rhythm section with strength and clarity. This restraint is part of what makes his tone so powerful: it’s deliberate, purposeful, and musical.
Affordable Alternatives to Emulate Syu’s Tone
Reproducing Syu’s majestic tone doesn’t always require a full ESP custom shop guitar and a Diezel half stack. With strategic gear choices, you can get remarkably close to his neoclassical metal sound on a modest budget. Below are recommended alternatives for each component of his rig—tested and curated for both tone and cost-performance.
🎸 Guitar Alternatives
Look for guitars with:
- Humbucker pickups (especially bridge-position models with high output)
- Basswood, alder, or mahogany bodies for balanced tonal response
- Flat-radius fingerboards for ease of fast playing
- At least 22–24 frets (if possible, 27+ for extended solos)
Recommended Models:
Ibanez RG series: Excellent shredding guitars with thin necks and high-output pickups.
Jackson Dinky or Soloist: Great for metal tones with sharp articulation.
ESP LTD MH or M-series: Affordable versions of ESP’s pro line, often used by metal players.
🔊 Amp & Distortion Alternatives
You don’t need a Diezel to sound tight and articulate. The following amps and pedals can simulate Syu’s core distortion characteristics:
Pedals:
JOYO UZI or High Gain Distortion: Budget-friendly and aggressive.
AMT R2 (preamp pedal): Marshall-esque clarity with tight mids.
Mooer Black Truck or GE200: Multi-FX with amp models, good for recording and live.
Amps:
Bugera 6262: A lower-cost high-gain amp head with decent clarity.
Blackstar HT-1/5/20 series: Compact but capable tube amps.
NUX Mighty Plug Pro: Headphone amp that also models high-gain tones effectively.
🎚 Boost / Effects Pedals
A mid-push boost pedal is crucial to tighten your distortion and cut through the mix:
Behringer TO800 (TS-style OD): Super affordable alternative to OD808.
Boss SD-1: Classic overdrive used by Syu himself.
Caline Pure Sky or Xotic Soul Driven clone: Transparent boosters on a budget.
For Delay & Reverb:
NUX Atlantic: Affordable dual delay/reverb pedal with rich ambience.
Donner Echo Square: Small-format delay with multiple modes.
Zoom MS-70CDR: All-in-one ambient processor with surprisingly high-quality effects.
🎯 Summary Table – Budget Gear Picks
Function Gear Example Brand Notes
Guitar RG450DX Ibanez HSH pickups, 24 frets, thin neck
Amp HT-5R Blackstar Compact tube tone
Distortion UZI Distortion JOYO Tight and saturated, Diezel-style edge
Booster SD-1 Super OverDrive BOSS Used by Syu, tightens high-gain amps
Delay / Reverb NUX Atlantic NUX Dual engine delay + reverb
Multi-FX GE200 Mooer Amp sims, effects, and IR loader
Recording Sim Mighty Plug Pro NUX Headphone amp + USB out for practice & tracking
These options won’t exactly replicate Syu’s high-end custom tone, but they’ll take you surprisingly close—especially with good technique and proper EQ. If you’re on a budget, focus on getting a guitar with fast playability, a tight gain pedal, and midrange presence in your tone chain.
Final Thoughts – Recreating the Soul of Syu’s Tone
Reproducing Syu’s guitar tone is not just a matter of gear—it’s about philosophy, precision, and musical sensitivity. While he’s known for blistering neoclassical solos and complex arrangements, Syu’s approach to tone is grounded in subtlety and context.
His sound is sculpted to serve GALNERYUS’s symphonic metal landscape. Every frequency is carefully balanced to ensure the guitar sits in the mix without overpowering vocals, strings, or rhythm section. Whether using high-end custom gear or stripped-down live setups, Syu’s guiding principle remains the same: play with purpose, and let the tone amplify the message.
Some key takeaways for aspiring players:
- Focus on midrange: It’s the heart of Syu’s lead tone.
- Don’t chase gain: Use boost pedals for clarity, not saturation.
- Use effects wisely: Spatial tools like delay and reverb enhance, not distract.
- Refine technique: Tone starts with your fingers. Syu’s phrasing and pick attack are just as important as his gear.
And most importantly—respect individuality. Syu has repeatedly stated that he doesn’t want to simply mimic other players (including Yngwie Malmsteen). His choice of non-Strat body shapes, active electronics, and ultra-clean gain structure reflect a deep commitment to personal expression.
Whether you’re a fan, a tone chaser, or an aspiring shredder, Syu’s rig offers both inspiration and education. Learn from his precision, but don’t forget to inject your own voice into every note you play.
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