- Introduction: Understanding Mikio Fujioka’s Signature Sound
- Amplifiers Used by Mikio Fujioka
- Guitars Utilized by Mikio Fujioka
- Effects and Pedalboard Configuration
- Effects and Pedalboard Configuration: Mikio Fujioka’s Expressive Sound Design
- Effects and Pedalboard Configuration
- Effects and Pedalboard Configuration: Mikio Fujioka’s Expressive Soundscapes
- Affordable Gear to Emulate Mikio Fujioka’s Tone (BABYMETAL, Kami Band)
- Summary: Embracing Mikio Fujioka’s Musical Spirit
Introduction: Understanding Mikio Fujioka’s Signature Sound
Mikio Fujioka, affectionately known as “Ko-Gami” (The Little God), was a distinguished guitarist renowned for his work with BABYMETAL’s Kami Band. His mastery spanned genres from classical to metal, fusion, and jazz, showcasing a blend of technical prowess and emotive expression. Fujioka’s tone was characterized by its aggressive yet nuanced quality, balancing technical precision with emotional depth.
In BABYMETAL’s compositions, he utilized 7-string guitars to deliver heavy riffs and intricate solos, often described as “singing guitar” lines. His live performances demonstrated seamless transitions between diverse tones, achieved through custom ESP models and advanced digital gear like the KEMPER Profiler. Fujioka’s approach emphasized optimized sound production, focusing on delivering only the necessary tones without relying on excessive equipment.
This article delves into the specific gear and settings Fujioka employed, providing insights into his amplifiers, guitars, effects, and techniques. Whether you’re aiming to replicate his sound or draw inspiration from his methods, this guide offers valuable information for guitarists at all levels.
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Amplifiers Used by Mikio Fujioka
During his tenure with BABYMETAL’s Kami Band, Fujioka primarily utilized the KEMPER Profiler, a digital amplifier known for its ability to replicate various amp tones accurately. This choice was ideal for the dynamic environments of BABYMETAL’s performances, allowing for consistent sound across different venues.
In live settings, Fujioka’s rig often mirrored that of fellow guitarist Takayoshi Ohmura, emphasizing a unified stage sound. The KEMPER Profiler enabled Fujioka to switch between high-gain rhythms, lead tones, and clean arpeggios seamlessly. While there are indications that he may have also used Fractal Audio Systems’ modelers like the AXE-FX, the KEMPER remained his primary tool for achieving a modern and stable sound.
Fujioka’s amplifier settings focused on clarity and responsiveness, ensuring that his picking nuances were articulated without overwhelming the overall mix. The use of profiling/modeling amplifiers like KEMPER and Fractal was instrumental in achieving this balance.
| Equipment | Manufacturer | Amazon Link | Associated Artist | Guitarist | Notes |
|---|---|---|---|---|---|
| KEMPER Profiling Amplifier | KEMPER | Search on Amazon | BABYMETAL | Mikio Fujioka | Main amplifier used during live performances with the Kami Band, leveraging diverse profiles for expressive settings. |
| Fractal Audio Systems AXE-FX | Fractal Audio | Search on Amazon | BABYMETAL | Mikio Fujioka | Potentially used as a modeler, possibly in conjunction with or as a backup to the KEMPER. |
Guitars Utilized by Mikio Fujioka
Fujioka’s primary guitars were custom-made ESP Snapper models, tailored to his specifications. Notably, the 7-string “ESP SNAPPER-7 Fujioka Custom” featured EMG 707 (bridge) and 707TW (neck) pickups, offering high-gain clarity suitable for metal riffs and solos.
The neck design, known as the T-5 Ultimate Access joint, facilitated smooth playability on higher frets. A mini-switch allowed for coil-tapping, enabling swift transitions between humbucker and single-coil tones, thus expanding the guitar’s versatility.
For 6-string configurations, the “ESP SNAPPER Fujioka Custom” incorporated Seymour Duncan pickups (SH-4 bridge, SH-1n neck, SSL52-1 middle), providing a broad tonal palette. Fujioka also utilized cost-effective yet reliable models like the EDWARDS E-SN7-194MF and E-SN-190MF, adapting his gear based on the performance context.
In acoustic settings, he employed the Martin OOOC-16GTE, delivering warm tones for ballads and softer passages. Across all his instruments, Fujioka prioritized playability, tonal clarity, and responsiveness to picking dynamics.
| Guitar Model | Manufacturer | Amazon Link | Associated Artist | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| ESP SNAPPER-7 Fujioka Custom | ESP | Search on Amazon | BABYMETAL | Mikio Fujioka | Electric Guitar (7-string) | Main instrument for live performances, equipped with EMG 707 pickups for a powerful and clear sound. |
| ESP SNAPPER Fujioka Custom | ESP | Search on Amazon | BABYMETAL | Mikio Fujioka | Electric Guitar (6-string) | Features Seymour Duncan pickups, offering a wide range of tones with coil-tap functionality. |
| ESP E-II HORIZON FR-7 | ESP | Search on Amazon | BABYMETAL | Mikio Fujioka | Electric Guitar (7-string) | Possibly used as a backup instrument, known for its high-output pickups. |
| EDWARDS E-SN7-194MF | EDWARDS | Search on Amazon | BABYMETAL | Mikio Fujioka | Electric Guitar (7-string) | Cost-effective model used as a reliable backup during live performances. |
| Martin OOOC-16GTE | Martin | Search on Amazon | BABYMETAL | Mikio Fujioka | Acoustic Guitar | Employed for clean arpeggios and ballad-style songs, offering a warm and resonant tone. |
Effects and Pedalboard Configuration
Effects and Pedalboard: Enhancing Expressiveness
Fujioka’s pedalboard was meticulously curated to enhance his expressive playing style. He favored effects that expanded his tonal palette without overshadowing his technique.
- DigiTech Whammy DT: This pedal allowed for pitch shifting and drop tuning, enabling Fujioka to explore diverse sonic landscapes during performances.
- Morley MAVERICK: A compact wah pedal with an active buffer circuit, it provided clear, articulate wah tones without compromising signal integrity.
- FAT 412.D: A Japanese-made distortion pedal known for its rich, smooth overdrive, preserving note clarity even under high gain.
Additionally, Fujioka might have integrated Fractal Audio Systems’ multi-effects units, such as the AX8, into his setup, offering a range of effects and amp simulations in a compact format.
Effects Gear Overview:
| Equipment | Manufacturer | Amazon Link | Associated Act | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| DigiTech Whammy DT | DigiTech | Search on Amazon | BABYMETAL | Mikio Fujioka | Pitch Shifter | Enabled pitch shifting and drop tuning capabilities. |
| Morley MAVERICK | Morley | Search on Amazon | BABYMETAL | Mikio Fujioka | Wah Pedal | Compact design with active circuitry for clear wah tones. |
| FAT 412.D | FAT | Search on Amazon | BABYMETAL | Mikio Fujioka | Distortion | Provided smooth, articulate overdrive suitable for technical playing. |
| Fractal Audio Systems (e.g., AX8) | Fractal Audio | Search on Amazon | BABYMETAL | Mikio Fujioka | Multi-Effects Processor | Potentially used for a wide array of effects and amp simulations. |
Effects and Pedalboard Configuration: Mikio Fujioka’s Expressive Sound Design
Mikio Fujioka’s pedalboard was a testament to his commitment to expressive and nuanced guitar tones. Rather than relying on an extensive array of effects, he carefully selected pedals that enhanced his dynamic playing style, allowing for seamless transitions between aggressive riffs and delicate melodies.
Key Effects Utilized
- DigiTech Whammy DT: This pedal provided Fujioka with pitch-shifting capabilities, enabling him to execute dramatic dive bombs and octave jumps. The drop-tuning feature was particularly useful for adapting to various song tunings without changing guitars.
- Morley Maverick Mini Wah: A compact wah pedal that delivered a full-sized wah tone. Its optical circuitry ensured smooth operation, and its size made it ideal for Fujioka’s streamlined pedalboard setup.
- FAT 412.D Distortion: A Japanese-made distortion pedal known for its clarity and responsiveness. It allowed Fujioka to achieve a thick, saturated tone that retained articulation, essential for his intricate playing techniques.
- Fractal Audio Systems (e.g., AX8): While not definitively confirmed, it’s speculated that Fujioka incorporated Fractal’s modeling units into his setup. These devices offered a range of amp simulations and effects, providing versatility for both live performances and studio sessions.
Pedalboard Philosophy
Fujioka’s approach to his pedalboard was rooted in practicality and musicality. He prioritized tools that enhanced his expressiveness without overcomplicating his rig. This philosophy ensured that his focus remained on performance, with effects serving to complement rather than overshadow his playing.
Effects and Pedalboard Configuration
Mikio Fujioka’s pedalboard was a testament to his meticulous approach to tone shaping, combining both versatility and precision to suit the dynamic demands of BABYMETAL’s performances.youtube.com
Key Effects and Their Roles
- DigiTech Whammy DT: This pedal was central to Fujioka’s setup, allowing for pitch shifting and drop tuning capabilities. Its versatility enabled him to execute dramatic pitch bends and harmonies, essential for BABYMETAL’s complex arrangements.
- Morley Maverick Mini Wah: A compact yet powerful wah pedal, the Maverick provided expressive tonal modulation. Its switchless design allowed for seamless transitions, crucial during live performances.
- FAT 412.D Distortion: Known for its rich and articulate distortion, this pedal offered the saturated tones required for heavy riffs while maintaining clarity for intricate solos.
- Fractal Audio Systems (e.g., AX8): While specifics are scarce, Fujioka was known to utilize Fractal’s modeling technology, offering a wide array of amp simulations and effects, ensuring consistency across various performance venues.
Pedalboard Configuration
Fujioka’s pedalboard was designed for efficiency and adaptability. The integration of the Kemper Profiler Remote allowed for instant switching between presets, accommodating the diverse tonal requirements of BABYMETAL’s setlist. equipboard.com
Additionally, the inclusion of the DigiTech FS3X footswitch expanded his control over effects parameters, providing real-time manipulation during performances.
Effects and Pedalboard Configuration: Mikio Fujioka’s Expressive Soundscapes
Mikio Fujioka’s pedalboard was a testament to his dedication to tonal precision and expressive versatility. His selection of effects was meticulously curated to enhance his dynamic playing style, allowing for seamless transitions between aggressive riffs and delicate melodies.
A standout in his setup was the DigiTech Whammy DT, which provided pitch-shifting capabilities essential for BABYMETAL’s diverse musical arrangements. This pedal enabled Mikio to execute drop tunings and harmonized leads without the need to switch guitars, maintaining the flow during live performances.
Complementing this was the Morley MAVERICK wah pedal, chosen for its compact design and responsive sweep. Its active circuitry ensured a consistent and clear wah effect, crucial for articulating expressive solos and rhythmic patterns.
For distortion, Mikio employed the FAT 412.D, a Japanese-made pedal known for its rich, saturated tones that retained clarity even under high gain. This choice reflected his preference for a distortion that could handle complex chord voicings and fast passages without muddiness.
Additionally, Mikio was known to utilize the Fractal Audio Systems AX8, a powerful amp modeler and multi-effects processor. This unit allowed him to access a wide array of amp simulations and effects, providing the flexibility needed for BABYMETAL’s genre-blending repertoire.
His pedalboard also featured essential utilities such as the TC Electronic PolyTune 2 Blacklight tuner for accurate tuning and the Voodoo Lab Pedal Power 2 PLUS for reliable power distribution. These components ensured that his setup remained stable and consistent throughout performances.equipboard.com
Mikio’s approach to effects was characterized by a philosophy of “optimized necessity”—using only what was essential to achieve the desired sound. This minimalist yet effective strategy allowed his natural playing nuances to shine, delivering performances that were both technically impressive and emotionally resonant.
Affordable Gear to Emulate Mikio Fujioka’s Tone (BABYMETAL, Kami Band)
Recreating Mikio Fujioka’s exact guitar tone is a challenging endeavor due to his use of high-end equipment and his nuanced playing style. However, for beginners and intermediate players, it’s feasible to approximate his sound using more budget-friendly gear. Below are some recommendations to help you get started.
Amp and Multi-Effects Units
- Line 6 POD Go: A versatile multi-effects processor that offers high-quality amp modeling and effects, making it a cost-effective alternative to the Kemper Profiler.equipboard.com+1whatgear.com+1
- BOSS GT-1000CORE: A compact yet powerful multi-effects unit suitable for both studio and live performances. It provides a wide range of tones, from clean to high-gain, aligning well with Fujioka’s diverse sound palette.
- NUX MG-30: An affordable multi-effects processor that delivers impressive amp modeling and effects, suitable for players seeking versatility without breaking the bank.
Guitars
While Mikio Fujioka’s signature ESP SNAPPER models are premium instruments, there are more accessible alternatives:ikebe-gakki.com+2reverb.com+2equipboard.com+2
- Edwards E-SN7-190MF: A 7-string guitar that captures the essence of Fujioka’s tone, featuring quality construction and components at a more affordable price point.
- GrassRoots SNAPPER Models: These guitars offer a cost-effective entry into the SNAPPER series, providing decent build quality and tone suitable for emulating Fujioka’s sound.
Pickups
Fujioka favored EMG active pickups, known for their clarity and high output:
- EMG 707 / 81-7: These pickups are integral to achieving Fujioka’s signature tone, especially in 7-string configurations.
- Fishman Fluence Modern: An alternative active pickup offering a versatile range of tones with low noise, suitable for modern metal and fusion styles.
- Seymour Duncan Blackouts: Another active pickup option delivering high output and clarity, ideal for aggressive playing styles.
Distortion and Overdrive Pedals
To replicate Fujioka’s distortion tones:
- BOSS DS-1 / SD-1: Classic distortion and overdrive pedals that, when combined with a booster, can approximate Fujioka’s drive tones.
- Suhr Eclipse: A dual-channel distortion pedal offering a wide range of gain structures, suitable for both rhythm and lead tones.
- Joyo UZI / MOSKY Golden Horse: Budget-friendly pedals that provide impressive distortion and overdrive tones, respectively.
Wah Pedals
Fujioka utilized the Morley Maverick wah; alternatives include:
- VOX V847: A classic wah pedal delivering vintage tones, offering a similar feel to the Morley Maverick.
- Cry Baby GCB95: Another iconic wah pedal known for its expressive sweep and reliability.
Delay and Modulation
For ambient and spatial effects:
- TC Electronic Flashback Mini: A compact delay pedal offering a variety of delay types, suitable for adding depth to your sound.
Noise Reduction
To maintain clarity in high-gain settings:
- ISP Decimator: A high-quality noise reduction pedal that effectively eliminates unwanted noise.
- NUX NR-100 / Mooer Noise Killer: Affordable noise gate options that perform well in suppressing noise without affecting tone.
Summary: Embracing Mikio Fujioka’s Musical Spirit
Mikio Fujioka’s guitar tone is renowned for its balance of precision and emotive warmth. His approach combined high-end gear with a deep understanding of musicality, allowing him to contribute meaningfully to BABYMETAL’s complex arrangements without overshadowing the ensemble.
Key aspects of his setup included the use of active pickups like the EMG 707 and 81-7, versatile multi-effects processors, and a selection of pedals that provided both clarity and depth. However, beyond the equipment, it was Fujioka’s expressive playing and dedication to his craft that truly defined his sound.
For those aspiring to emulate his tone, it’s essential to focus not only on gear selection but also on developing a nuanced playing style. Embracing the dynamics, phrasing, and emotional expression that characterized Fujioka’s performances will bring you closer to capturing the essence of his music.
Remember, the most impactful music resonates from the heart. Let Fujioka’s legacy inspire you to create sounds that move and connect with listeners.
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