[Eve] How to Recreate the Eve Sound + Guitar Gear and Tone Settings [Effects & Amps]

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Introduction (Overview of Tone)

Eve, a singer-songwriter with a distinctive worldview, creates a unique guitar tone not only in his song arrangements and recordings but also during live performances. His sound is characterized by a coexistence of delicacy and heaviness. From the transparent resonance of acoustic guitar to sharp, overdriven cuts, and even ethereal soundscapes utilizing spatial effects, his tonal range is impressively broad.

In iconic tracks like “Dramaturgy” and “Yusei Mushi,” the guitar transcends mere accompaniment, becoming a vital element that supports the emotional core of the songs. Notably, in “Yusei Mushi,” he employs an E-Bow to create a floating sensation through sustained notes. During the 2023 tours “Kokoro” and “Hanabira,” he showcased a combination of custom guitars from Shior and a Marshall-Fender Bassman setup, delivering a sound that is both rich and clear in live settings.

Eve’s guitar playing emphasizes harmony and spatial control over technical speed. Even with simple riffs and chord work, the sophistication of his tone design stands out, instantly drawing listeners into his world. Through his social media posts and photos, it is evident that the contents of his pedalboard change over time, adapting to the themes of his music.

These characteristics allow Eve to embody a “guitarist’s presence that transcends the singer-songwriter framework,” making him an artist to watch in the future.

▶ Search official YouTube videos of Eve

List of Amplifiers and Features

The amplifiers used by Eve are crucial components that underpin his sound. Based on live photos and social media statements, the confirmed gear includes vintage Fender models and classic Marshall amps, which have evolved over time. In particular, the Marshall JCM800, overhauled in 2020, serves as a central element supporting the heavy distortion characteristic of Eve’s sound. Despite its hard-edged distortion, it maintains a rich midrange that complements his emotional vocals without overshadowing them.

For clean tones and light drive, he utilizes the Fender Bassman 70 and Blues Deluxe. The Bassman, especially when paired with the Marshall 1922 cabinet, achieves a sound that is both thick and articulate. Additionally, a tweet from 2019 confirmed the use of a ’78 Telecaster combined with an ’80s Fender Concert amp, likely to achieve the unique crunch required for that period’s songs.

In recent performances, Eve has incorporated the Blackstar Amped 1, a digital amp that delivers a power amp-like sound. In the song “Hanabira,” he has been seen using this in conjunction with pedal effects, creating a modern and mobile setup. He also utilizes the Universal Audio OX as a load box, which is presumed to aid in detailed sound crafting during home recordings.

Eve’s style reflects a thoughtful selection of amplifiers tailored to the concept of each song, incorporating everything from classic tube amps to the latest digital equipment. This fusion of vintage warmth and modern convenience supports his unique sound. Overall, it becomes clear that he is pursuing a balance between the traditional sounds of Marshall and Fender while exploring compatibility with contemporary effects.

Types of Guitars Used and Features

The guitars used by Eve are a significant factor supporting the diversity of his sound. He employs a wide range of instruments, from custom models to vintage, semi-hollow, and acoustic guitars during live performances and recordings. In the 2023 tours “Kokoro” and “Hanabira,” he prominently featured custom guitars from Shior, which garnered attention for their originality in both appearance and sound. His main guitar, the “Shior Modern Oddity JM Olympic White,” has a Jazzmaster-like shape but features a modern pickup configuration that covers a wide tonal spectrum from clean to distorted sounds.

Additionally, the “Shior Stratocaster Gold” (humbucker version) is another key choice for Eve. With its humbucker, it can deliver thick lead tones and handle heavy riffs, standing out in the band’s sound. The SS SYMBA II Stratocaster and Fender ’78 Telecaster have also been confirmed in the past, with the Telecaster being used in conjunction with the Fender Concert amp in a tweet from 2019, indicating a crunchier sound during that time.

The blue semi-hollow “D’Angelico NYSS-3B” and the Psychederhythm Jazzmaster are models that Eve uses to enhance the atmosphere during live performances, enriching the emotional expression of his songs. The Psychederhythm Jazzmaster was notably used in the performance of “Hanabira.” For acoustic performances, he incorporates the “Gibson Hummingbird” and the classical guitar “OrpheusValley GatGuitar,” adding depth to ballads and singer-songwriter tracks.

Such guitar choices reflect not merely a diversification of equipment but also an intentional reflection of the themes and intentions behind each song. Eve consciously selects “which tone to choose” according to the song’s narrative, resulting in soundscapes that provide a strong immersive experience for listeners. Overall, Eve can be seen as a guitarist who adopts a style of “switching between modern custom guitars and vintage or semi-hollow models according to the song.”

Effects and Pedalboard Setup

Eve’s pedalboard is known for its significant changes from tour to tour. Photos from 2019 and tweets about purchasing a looper in 2022 confirm that he optimizes his setup for each performance. The foundation of his overdrive sound is the Fulltone OCD series (versions 1.4 to 1.7 and V2), which provides a natural and articulate distortion. High-gain pedals like the JHS Angry Charlie V3 and FRIEDMAN BE-OD are also incorporated, allowing him to build loud tones when combined with the Marshall JCM800 for heavier tracks.

For boosting, he utilizes the Ceriatone Centura (Klon-type) and Creation Audio Labs MK.4.23, enhancing clarity during solos. By adding the Providence Silky Drive and Velvet Comp, he achieves a crisp drive and compression effect. In terms of spatial effects, he employs the Eventide TIME FACTOR and Empress Echosystem, varying the quality of delay based on the song. The TIME FACTOR is particularly notable, as it is also used by BUMP OF CHICKEN’s Motoo Fujiwara, indicating Eve’s emphasis on a rich delay sound.

His modulation effects are diverse, featuring JAM Pedals The Chill/Big Chill (tremolo), Ripple Phaser (phaser), and Eventide ModFactor. These create ethereal and floating sounds, contributing to the unique atmosphere of Eve’s music. He also utilizes multiple wah pedals, including JAM Wahcko, VOX V845, and Xotic XW-1, significantly expanding the nuances in his live performances. Given that Eve’s guitar work often complements his vocals, the expression of sound is of utmost importance.

Additionally, he reported acquiring the TC Electronic Ditto X2 Looper in 2022, which is effectively used to layer looped phrases during live performances, particularly in solo settings or limited ensemble scenarios. Other unique gear, such as the Benson Germanium Boost and Shimmy-san AB Box, also contribute to the distinctive character of his pedalboard. Overall, Eve’s sound design appears to be a balance of “staples and unique selections.”

Tone Settings, EQ, and Mixing Approaches

Eve’s sound design is meticulously constructed, far beyond just assembling gear. His approach involves thorough attention to amp EQ, effects combinations, and processing during mixing. The foundation of his sound often lies in the combination of Marshall JCM800 and Fender Bassman amps. By boosting the mids on the Marshall and naturally utilizing the lows on the Bassman, he achieves a unique balance of “clarity and thickness” characteristic of his music.

In terms of EQ settings, for clean tones, he typically sets treble around 5-6, bass at 4-5, and mids slightly higher (6-7). This configuration ensures transparency that does not interfere with vocals while maintaining presence within the band. When using distortion, he tends to keep the amp gain moderate (5-6) and pushes it with overdrive pedals. The Fulltone OCD and JHS Angry Charlie V3 add articulate distortion, enhancing the guitar’s attack.

The use of spatial effects is crucial in Eve’s sound design. Delays from the Eventide TIME FACTOR and Empress Echosystem are often mixed at around 30-40%, achieving a delicate balance that provides depth without overwhelming the original sound. In some tracks, he synchronizes delay times to the tempo, enriching arpeggios and clean phrases. Tremolo and phaser effects are kept subtle, adding just enough “floating sensation” without disrupting the song’s atmosphere.

For recording, it is assumed that he utilizes load boxes like the Universal Audio OX for cabinet simulation, allowing him to capture authentic amp sounds even during late-night or off-site sessions while expanding EQ adjustment options. The Fishman Aura Acoustic Imaging Blender is likely used for spatial processing of acoustic guitars, effectively reproducing the natural resonance of the “Gibson Hummingbird” and “OrpheusValley GatGuitar” in live PA or recording environments.

During mixing, the guitar’s positioning is often widened left and right while cutting frequencies that overlap with the vocal range (around 2-4kHz). Given that Eve’s songs center around his vocals, the mid-high frequencies of the guitar are carefully organized, leaving thickness in the lower frequencies (100-200Hz) to provide support. Additionally, reverb is applied subtly to create a sense of space without overwhelming the mix. The combination with delay adds depth, expanding the overall soundscape.

Live performances also emphasize dynamics control using volume pedals (such as Shin’s Music Baby Perfect Volume Hybrid). By lowering the volume for softer phrases and increasing it during choruses, he enhances the dynamics in sync with the band’s energy. Furthermore, the sustained notes in “Yusei Mushi,” created with an E-Bow, likely undergo special processing during mixing to maintain their ethereal presence without losing clarity, utilizing compression and EQ to refine the frequency range.

In summary, Eve’s sound design can be encapsulated as “utilizing the character of the amp while meticulously organizing EQ and reinforcing the soundscape with spatial effects.” The guitar does not overpower the vocals but rather enhances the overall atmosphere of the songs, which is a fundamental aspect of his sound design.

Affordable Alternatives to Recreate the Tone

Many of the professional-grade gear used by Eve can be financially daunting for beginners or intermediate players looking to replicate his sound. However, by utilizing relatively affordable equipment available on the market, one can experience a sound reminiscent of “Eve.” Here, we focus on models that can be purchased for approximately $100 to $500.

For distortion, I recommend the “BOSS SD-1 Super OverDrive” or “BOSS OD-3 OverDrive” as alternatives to the Fulltone OCD frequently used by Eve. Both can be purchased for under $100 and provide a crisp drive. The SD-1, in particular, naturally boosts the mids, making it easier to approach a Marshall-like sound. If a higher gain tone is desired, options like the “BOSS DS-1X” or “JHS Angry Driver” are also suitable for mimicking the hard tones presented by Eve in live settings.

For spatial effects, the “TC Electronic Flashback 2 Delay” or “BOSS DD-8 Digital Delay” are excellent alternatives to the Eventide TIME FACTOR and Empress Echosystem. They offer a range of delay types with simple operation, making it easy to recreate the depth characteristic of Eve’s tracks. For reverb, the “TC Electronic Hall of Fame 2” or “BOSS RV-6” can create natural and expansive spaces, aiding in the recreation of his ethereal soundscapes.

In terms of modulation effects, the “Electro-Harmonix Small Stone Phaser” or “BOSS TR-2 Tremolo” are relatively inexpensive and can effectively replicate the nuances of the Ripple Phaser and The Chill/Big Chill used by Eve. They are simple yet provide sufficient presence during live performances. For wah pedals, the “VOX V847A” or “Cry Baby GCB95” offer great cost-performance, serving as excellent introductory gear for learning Eve’s wah sound.

Regarding amp setups, for home practice, I recommend the “Blackstar HT-1R” or “Yamaha THR30II Wireless.” The THR series, in particular, is compact and includes built-in effects, allowing for easy enjoyment of spatial processing akin to Eve’s sound at home. For recording or line output needs, multi-effects units like the “Zoom G3Xn” or “Line 6 HX Stomp” can cover a wide range from overdrive to spatial effects, allowing for an affordable imitation of Eve’s live signal chain.

In summary, when selecting affordable alternative gear, focus on assembling a set centered around “overdrive + delay + reverb.” With just these components, you can effectively recreate Eve’s unique floating sensation and emotional expression. This approach is accessible for beginners and allows for an experience close to “Eve’s sound” in practice or small-scale performances.

Summary and Conclusion

Eve’s guitar sound transcends mere accompaniment, becoming a crucial element that defines the overall “atmosphere” and “worldview” of his music. The essence of his sound design lies in the seamless combination of amps, guitars, and effects, meticulously crafted down to the details of EQ and spatial processing. The balance of heaviness and transparency, as seen in the combination of the Marshall JCM800 and Fender Bassman, forms the core of Eve’s distinctive sound.

In terms of guitars, he utilizes custom models from Shior, vintage Telecasters, semi-hollows like the D’Angelico, and acoustic guitars like the Gibson Hummingbird, switching between them based on the song’s requirements. This versatility allows him to adapt to a wide range of sounds, from the tension-filled tones of “Dramaturgy” to the ethereal expressions found in “Yusei Mushi.” Thus, for Eve, the choice of guitar serves as a means of expressing “how to depict the story of each song.”

On the effects side, he builds his sound around distortion pedals like the Fulltone OCD, JHS Angry Charlie V3, and FRIEDMAN BE-OD, combining them with spatial effects from Eventide TIME FACTOR and Empress Echosystem, while weaving in tremolos and phasers to create a unique, ethereal tone. The use of wah and loopers to enhance dynamics adds depth to his live performances. This approach reflects not only a focus on “thickness of sound” but also on “breath of sound.”

In summary, the hallmark of Eve’s sound design is its “meticulous construction to support the overall worldview.” Rather than relying on flashiness or speed, he prioritizes enhancing the vocals and the narrative of the song while occasionally pushing the guitar to the forefront to explode with emotion. This ebb and flow captivates listeners, painting the live space like a story.
To replicate his sound, it is essential to focus not only on mimicking gear but also on understanding “the spaces between sounds,” “the use of atmosphere,” and “the organization through EQ.”

For beginners, simply assembling a basic set of overdrive, delay, and reverb can provide a sufficient experience of Eve’s atmosphere. Adding the awareness of “how to align with the song’s worldview” will be the quickest route to making the “Eve sound” your own. Eve’s sound design is a “guitar sound that gives a story to the song,” transcending mere technique or equipment to become “expression itself.”