- Introduction: SHOW-HATE and the Genre-Blending Sound of SiM
- Amplifiers: The Backbone of SHOW-HATE’s Tone
- Guitars Used by SHOW-HATE: Signature 7-String Power
- Effects and Pedalboard Setup: SHOW-HATE’s Multi-Genre Toolkit
- Tone Settings, EQ, and Mixing Tips: How SHOW-HATE Balances Clarity and Chaos
- Budget-Friendly Alternatives to SHOW-HATE’s Gear
- Final Summary: Capturing SHOW-HATE’s Versatile Sonic Signature
Introduction: SHOW-HATE and the Genre-Blending Sound of SiM
SHOW-HATE, guitarist for the genre-defying Japanese band SiM (Silence iz Mine), plays a pivotal role in supporting the band’s sound with his distinct and versatile guitar tones.
SiM blends loud rock, reggae, ska, metal, and hip-hop—genres that demand dynamic tonal range. SHOW-HATE delivers everything from aggressive, tight riffs to funky rhythm chops and dreamy, effect-laden textures, significantly expanding the band’s expressive capacity.
In signature tracks like “KiLLiNG ME” and “The Rumbling,” his precision picking and articulate effect work stand out. His low-end riffing—often executed on 7-string guitars—adds crushing weight to the band’s sonic identity.
What makes SHOW-HATE’s tone unique is its powerful yet crisp attack, paired with the flexibility to match each genre shift. He seamlessly integrates high-gain metal tones with creative use of filters, modulations, and spacey effects to sculpt colorful textures—especially during ska and electro-flavored passages.
His arsenal includes a signature SCHECTER guitar with extended scale length for better low-string clarity, and high-end amplifiers like the Diezel Herbert for ultimate punch and presence. His pedalboard features a variety of expressive tools—DL4, FM4, VELVET COMP, TR-2, and more—giving him real-time control over pitch, filters, and modulation effects.
This article offers a deep breakdown of SHOW-HATE’s tone: covering amps, guitars, effects, EQ strategies, and even affordable alternatives—perfect for players from beginners to seasoned tone chasers looking to recreate the SiM sound.
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Amplifiers: The Backbone of SHOW-HATE’s Tone
One of the key pillars of SHOW-HATE’s tone is his amplifier choice. Given SiM’s studio-polished yet live-aggressive sound, his amps need to deliver massive low-end, high clarity, and seamless versatility under pressure.
His main weapon of choice is the Diezel Herbert—an ultra-premium German amp head known for precision high-gain tones and outstanding clarity. Even under extreme distortion, the Herbert maintains note definition and surgical EQ control across the spectrum.
The amp features three channels, covering everything from pristine clean to tight rhythm crunch and screaming lead gain. SHOW-HATE is believed to toggle between Channel 2 and Channel 3 for rhythm and lead parts, ensuring tonal consistency while maximizing expression.
Even the clean channel on the Herbert is exceptional—ideal for effects layering. Its rich midrange and clarity make it perfect for tremolo, chorus, and filter effects, which SHOW-HATE employs during reggae-style skanks or ambient clean segments.
What makes the Herbert especially suitable for SHOW-HATE’s setup is its strength in the low register. With 7-string guitars tuned to low B or A, it retains clarity and punch on the low end while maintaining treble articulation—an essential trait for his genre-bending sound.
While other amps such as the ENGL Powerball, Mesa/Boogie Rectifier, or Friedman BE series could approximate the tone, the Diezel Herbert remains the ideal choice for players seeking tight, dense distortion with clarity across extended ranges.
| Model | Brand | Amazon Link | Band | Guitarist | Notes |
|---|---|---|---|---|---|
| Herbert | Diezel | Search on Amazon | SiM | SHOW-HATE | 3-channel beast. Balances low-end force and upper clarity. Perfect match for 7-string guitars. |
Guitars Used by SHOW-HATE: Signature 7-String Power
SHOW-HATE’s genre-fluid style demands versatile guitars—and his primary instruments are all signature SCHECTER 7-string models, purpose-built for power, clarity, and drop-tuned precision. These guitars are foundational to SiM’s heavy-yet-funky sound.
His flagship model, the SCHECTER PA-SM-SH-7/SIG, is a 7-string Telecaster-style guitar featuring a 26.5″ scale neck—slightly longer than standard—to maintain string tension and clarity in lower tunings. This extended scale is especially useful for down-tuned riffs that still need definition and punch.
It’s equipped with a Seymour Duncan SH-5-7st in the neck and a SH-4-7st in the bridge. This pickup combination balances high-output aggression and articulate cleans, giving SHOW-HATE the flexibility to move between metal, reggae, and ska-inspired textures.
Another variant, the PA-SM-SH-7, shares the same body and scale but has seen variations in pickup configurations, including a SH-5 and SH-15 combo during certain performance periods. These small differences are optimized for specific tonal needs in different songs.
For premium builds, SHOW-HATE also uses the AC-SM-SH-7/SIG, a handcrafted model featuring an Ash body and Ebony fretboard. Its distinct “Black In Blood” finish adds visual identity to its already distinct tonal voice—tight low end and bright attack suited for both leads and rhythm playing.
In earlier years, he also employed the SCHECTER Hellraiser 7-string, known for its active pickups and massive output. The inclusion of coil-tapping gives access to single-coil-like tones—ideal for pairing with modulation effects or funky cleans.
All of these guitars share key characteristics: 7 strings, high-output pickups, strong low-end performance, and playability tailored for drop tuning. SHOW-HATE’s guitar choices clearly prioritize expressive range, tonal versatility, and striking aesthetics—perfectly mirroring SiM’s musical ethos.
| Model | Brand | Amazon Link | Band | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| PA-SM-SH-7/SIG | SCHECTER | Search on Amazon | SiM | SHOW-HATE | 7-string signature (Tele-style) | 26.5” scale. SH-5-7st and SH-4-7st pickups. Ideal for drop tuning and tight rhythm tones. |
| PA-SM-SH-7 | SCHECTER | Search on Amazon | SiM | SHOW-HATE | 7-string signature | Alternate pickup setups including SH-5 / SH-15 used in some tours or sessions. |
| AC-SM-SH-7/SIG | SCHECTER | Search on Amazon | SiM | SHOW-HATE | 7-string arch-top (premium) | “Black In Blood” custom finish. Ash body and Ebony fretboard for detailed tone response. |
| Hellraiser | SCHECTER | Search on Amazon | SiM | SHOW-HATE | 7-string (active pickups) | High output, with coil-tap for additional tonal flexibility. Previously used for live shows. |
Effects and Pedalboard Setup: SHOW-HATE’s Multi-Genre Toolkit
SHOW-HATE’s pedalboard is a meticulously curated collection of effects that support SiM’s genre-hopping sound—from aggressive metalcore to ska, reggae, and even electronic-inspired textures. His setup isn’t just about distortion—it’s a strategic selection of filters, modulations, pitch effects, and ambient tools.
While his core distortion comes from the amp (the Diezel Herbert) and his high-output pickups (like the SH-4 and SH-5), SHOW-HATE’s pedals are used for tonal shaping and creative coloration, rather than as the primary source of gain.
At the heart of his spatial effects is the Line 6 DL4, a classic multi-mode delay and looper used to create atmosphere, slapback textures, or rhythmic repeats on the fly. It’s often paired with the Line 6 FM4, which provides auto-wah, envelope filters, and synth-style effects—ideal for SiM’s experimental or electronic-leaning passages.
For compression, he relies on the Providence VELVET COMP (VLC-1), which enhances clean articulation and sustain—especially during funky rhythm parts or reggae skanks.
His modulation chain features timeless classics: the Electro-Harmonix Small Clone for rich chorus, the BOSS TR-2 for vintage tremolo, and the BOSS PH-3 for phaser sweeps. These pedals each bring a distinct character and are selectively activated depending on the song’s vibe.
SHOW-HATE also embraces “wild card” effects to add drama and unpredictability to SiM’s live sound. These include the Electro-Harmonix HOLY GRAIL reverb, the T-REX OCTAVIUS (octave + boost), the DigiTech Whammy (real-time pitch shifting), and a KORG VP-10 volume pedal for swells and dynamics.
To maintain a clean signal despite the high gain and multiple effects, he uses the ISP Decimator II as a constant noise suppressor. And for tuning, he keeps a reliable KORG DT-10 always within reach.
The following table summarizes the essential pedals used by SHOW-HATE and their role in shaping his diverse tone palette:
| Model | Brand | Amazon Link | Band | Guitarist | Type | Notes |
|---|---|---|---|---|---|---|
| VELVET COMP VLC-1 | Providence | Search on Amazon | SiM | SHOW-HATE | Compressor | Enhances sustain and attack in clean or funky rhythm parts. |
| DL4 | Line 6 | Search on Amazon | SiM | SHOW-HATE | Delay / Looper | Live staple with 16 delay modes and looping functionality. |
| FM4 | Line 6 | Search on Amazon | SiM | SHOW-HATE | Filter / Synth | Envelope filters, synth effects—perfect for electro-ska vibes. |
| TR-2 | BOSS | Search on Amazon | SiM | SHOW-HATE | Tremolo | Warm and vintage-inspired tremolo modulation. |
| Small Clone | Electro-Harmonix | Search on Amazon | SiM | SHOW-HATE | Chorus | Simple and deep chorus tones, famously used by Kurt Cobain. |
| PH-3 | BOSS | Search on Amazon | SiM | SHOW-HATE | Phaser | Versatile phaser with multiple waveforms and sweep modes. |
| OCTAVIUS | T-REX | Search on Amazon | SiM | SHOW-HATE | Octave / Boost | Dual-octave effects with added gain boost—great for standout leads. |
| HOLY GRAIL | Electro-Harmonix | Search on Amazon | SiM | SHOW-HATE | Reverb | Simple yet lush reverb with multiple algorithms (spring, hall, plate). |
| VP-10 | KORG | Search on Amazon | SiM | SHOW-HATE | Volume Pedal | Large, reliable pedal for volume swells and transitions. |
| Whammy | DigiTech | Search on Amazon | SiM | SHOW-HATE | Pitch Shifter | Real-time pitch shifting with harmony modes—great for solos and FX bursts. |
| DECIMATOR II | ISP Technologies | Search on Amazon | SiM | SHOW-HATE | Noise Reduction | Always-on gate to keep high-gain tones silent when needed. |
| DT-10 | KORG | Search on Amazon | SiM | SHOW-HATE | Tuner | Reliable, high-visibility tuner for live use. |
Tone Settings, EQ, and Mixing Tips: How SHOW-HATE Balances Clarity and Chaos
SHOW-HATE’s tone is the backbone of SiM’s multifaceted sound—aggressive and modern, but also clear enough to support ska rhythms and reggae grooves. His EQ and mixing approach is all about sculpting frequency space with intention.
1. Guitar Tone Shaping: Mid-Punch & Low-End Control
SHOW-HATE keeps his guitar tone mid-forward, often boosting around 800Hz–1.2kHz to cut through the dense live mix. This ensures clarity even in fast, down-tuned riffing. Unlike typical scooped-metal tones, his sound maintains presence in the mix without getting lost under vocals and drums.
He also employs subtle high-pass filtering (cutting below ~80Hz) to prevent guitar rumble from clashing with the bass and kick drum. At the same time, he avoids excessive low-mid build-up (250–400Hz) to keep the tone from getting muddy—especially when using multiple modulation effects or delays.
2. Amp Settings: Balanced Yet Aggressive
His main amp, the Diezel Herbert, is set with:
- Gain: 60–70%
- Bass: Around 4
- Mids: Around 6
- Treble: Around 6
- Presence: Slight boost (~6.5)
- Depth: Moderate to tight (~4.5–5)
This config ensures attack and body without oversaturation. He relies on the amp’s channel EQ and external filters to fine-tune, especially when switching between heavy and clean sections in the same set.
3. Clean Tone Optimization
For reggae or ska parts, SHOW-HATE switches to a clean channel or uses volume pedal sweeps with effects like chorus (Small Clone) and compression (VELVET COMP). The tone is kept snappy and bright, with rolled-back mids and slightly boosted highs (~4kHz) to cut cleanly across the band mix.
4. Studio EQ & Post-Processing
In recorded mixes, engineers typically apply:
- Multi-band compression on the 200–800Hz range to tame palm-muted chugs
- Surgical EQ to notch any “boxy” frequencies (typically ~300Hz)
- Parallel reverb/delay buses with HPF/LPF to avoid cluttering the mix
These practices preserve the punch and tightness in SHOW-HATE’s tone while maintaining a 3D sense of space—key for SiM’s genre-bending arrangements.
5. Live vs. Studio Adjustments
SHOW-HATE often uses slightly less gain live compared to studio recordings to ensure clarity under stage acoustics. EQ tweaks (like a small treble roll-off) are sometimes made via pedalboard EQ or amp settings to suit the venue’s acoustics or to respond to FOH feedback.
Budget-Friendly Alternatives to SHOW-HATE’s Gear
SHOW-HATE’s rig combines high-end amps, boutique pedals, and signature guitars. However, replicating his core tone doesn’t necessarily require expensive or rare equipment. By identifying the functional roles of each device, we can find more accessible alternatives for players on a budget.
1. Guitar Alternatives
SHOW-HATE primarily uses ESP or Edwards 7-string models with Seymour Duncan SH-4 (JB) and SH-5 (Custom) pickups. These pickups are known for their high output and defined mids—perfect for aggressive tones without sacrificing articulation.
- Budget Pickup Swap: Consider the Tonemagic HB-4 or Wilkinson Hot Ceramic humbuckers. These retain tight lows and aggressive mids at a fraction of the cost.
- Affordable Guitar Models: Brands like Harley Benton, Schecter Omen 7, or Jackson JS Series offer 7-string guitars with solid playability and tone for under $400.
2. Amp & Preamp Replacements
SHOW-HATE’s main amp—the Diezel Herbert—is renowned for its articulate gain and tight low end. While the amp is premium-priced, the tonal essence can be approximated with modelers or solid-state amps.
- Budget Amp Sim: The JOYO Bantamp XL series (especially the “Jackman II”) delivers modern high-gain sounds with tube-driven preamps.
- Modeler Option: Use a Zoom G5n or NUX MG-400, which include amp models resembling Diezel-style voicing.
3. Effects Pedal Substitutes
| Original Pedal | Affordable Alternative (with Amazon Link) | Reason |
|---|---|---|
| Providence VELVET COMP | Behringer DC9 Compressor | Delivers smooth compression at a much lower price. |
| Line 6 DL4 | NUX Time Core Deluxe | Multi-mode delay with tap tempo, looper, and stereo support. |
| Line 6 FM4 | Zoom MultiStomp MS-70CDR | Includes filters, synth FX, and modulation in one unit. |
| Small Clone | Donner Tutti Love Chorus | Simple analog-style chorus with a similar tone profile. |
| BOSS TR-2 | Joyo Tremolo | Offers vintage tremolo vibes at low cost. |
| Whammy | Mooer Pitch Box | Compact pitch-shifting pedal with 3 modes (harmonize, shift, detune). |
| ISP Decimator II | Donner Noise Killer | Reliable gate for controlling high-gain noise. |
| HOLY GRAIL | TC Electronic Skysurfer | Spring/hall/plate reverb modes with rich ambience. |
4. Tips for Tone Recreation
- Focus on Pickup Output: A high-output bridge pickup does more for tight rhythm than expensive amps.
- Use EQ Wisely: Even budget amps can benefit from careful EQ cuts around 250Hz and boosts at 1kHz.
- Layer Effects Strategically: Don’t overcomplicate—delay, filter, and reverb can be handled with a single multi-effects unit.
With these replacements and smart configuration, you can build a SHOW-HATE-inspired tone rig without exceeding your budget. The key lies not in matching gear 1:1, but in understanding the sound goals behind each piece of equipment.
Final Summary: Capturing SHOW-HATE’s Versatile Sonic Signature
SHOW-HATE’s guitar tone is not confined to a single genre—it’s a dynamic blend of metal precision, reggae groove, ska energy, and digital experimentation. His setup, though centered around high-end gear like SCHECTER 7-string guitars, Diezel Herbert amps, and a uniquely crafted effects board, ultimately serves the music’s narrative, not just brute force or speed.
Whether he’s laying down chug-heavy riffs in “KiLLiNG ME” or shifting to syncopated ska rhythms in “Blah Blah Blah,” SHOW-HATE’s tone always retains clarity, impact, and identity. The key elements of his rig include:
- Mid-focused EQ with controlled low end for tight, punchy riffs
- Expressive modulation effects (chorus, tremolo, filters) used with intention
- Extended scale and high-output pickups for tonal stability in drop tunings
- Post-processing and live mixing choices tailored to each song’s feel
Even with budget-friendly substitutions, players can capture the essence of SHOW-HATE’s sound by focusing on tonal balance, precision, and creative use of effects. His tone philosophy encourages experimentation—melding clean signal processing with emotional aggression and genre-crossing arrangements.
In the end, emulating SHOW-HATE is less about collecting the exact gear, and more about understanding how gear serves musical expression. With the right mindset and setup, you can bring a piece of his sound into your own playing—no matter the budget.
Explore. Shape. Distort. Groove. That’s the SHOW-HATE way.
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