How to Recreate the Sound of Maneki (Onmyo-za) – Gear, Effects, and Amp Settings

Introduction: Melodic Power and Emotional Phrasing

Maneki, one of the twin guitarists of the Japanese heavy metal band Onmyo-za, plays a pivotal role in shaping the band’s dramatic and mystical sonic identity. While his counterpart Karuma focuses on technical prowess, Maneki brings an emotional, melodic depth that complements the band’s dual-lead guitar dynamics.

In Onmyo-za’s rich musical landscape, Maneki’s guitar work adds a lyrical and atmospheric quality. Songs like “Kuroi no Tenyo” and “Kouga Ninpocho” highlight his expressive phrasing and shimmering clean intros. Meanwhile, tracks such as “Nuritsukabe” and “Onmyoji” demonstrate his versatility, where he not only plays guitar but also contributes with vocals and death growls, broadening his musical palette.

His tone is sculpted around the use of Gibson-style SG and Les Paul guitars, combined with the Fractal Audio Axe-Fx for amp and effect modeling, and the FRYETTE Two/Ninety/Two tube power amp. This setup balances tight, punchy lows with smooth highs, ensuring clarity in the band’s often dense mix.

Maneki cites Gary Moore’s “Blues Alive” as a formative influence, particularly for his solo work. Within Onmyo-za, he also draws inspiration from the band’s leader Matatabi—not only musically, but also in creative philosophy and aesthetic vision.

Despite his heavy visual image, his playing is often delicate and emotionally nuanced—a contrast that defines his charm and character.

▶ Search for Official Onmyo-za Videos on YouTube

Amplifier Setup and Sound Philosophy

Maneki’s amplifier rig reflects his commitment to both sonic versatility and live performance consistency. His main setup utilizes a combination of digital modeling and analog warmth—a “modeler + tube power amp” hybrid that allows for both flexibility and tonal authenticity.

At the heart of his rig is the Fractal Audio Axe-Fx Ultra, a high-end amp modeler and multi-effects processor favored by professionals for its accurate simulations of amps, cabinets, and effects. Maneki tailors presets to suit different venues and setlists, achieving stable and reproducible live tones.

To give the Axe-Fx’s digital signal warmth and punch, he pairs it with a FRYETTE (formerly VHT) Two/Ninety/Two tube power amplifier. Known for its clarity and headroom, this unit adds analog texture and depth—especially vital for Onmyo-za’s signature blend of traditional Japanese themes and heavy metal.

His live cabinets of choice are Marshall 1960A 4×12 stacks loaded with Celestion G12T-75 speakers. These provide a powerful midrange presence and are a staple in hard rock and metal setups. Occasionally, he uses a dual-stack configuration for enhanced stage projection.

In studio environments, it’s believed Maneki often records direct using the Axe-Fx, possibly employing Impulse Responses (IRs) for cabinet simulation. His tone retains both digital precision and the warmth of tube overtones, finely tuned with subtle EQ adjustments tailored to each track.

This balance of vintage guitar tone and modern digital processing enables Maneki to deliver Onmyo-za’s commanding and atmospheric sound with consistency and depth.

Gear	Manufacturer	Amazon Link	Band	Guitarist	Notes
1960A 4×12 Cabinet	Marshall	Search on Amazon	Onmyo-za	Maneki	Main cabinet for live use; equipped with Celestion G12T-75s.
Axe-Fx ULTRA	Fractal Audio	Search on Amazon	Onmyo-za	Maneki	Core modeling unit for both live and studio applications.
Two/Ninety/Two	FRYETTE	Search on Amazon	Onmyo-za	Maneki	Tube power amp that adds analog warmth to digital tones.

Guitar Models and Their Characteristics

Maneki’s guitar choices are tailored with both sonic variety and live playability in mind. He switches between a range of instruments, particularly focusing on Gibson-style guitars and custom ESP models to suit different songs and tunings.

One of his signature guitars is the ESP “Konoha Tengu”, a custom-order model that features a striking 5A Buckeye Burl top and ESP’s ergonomic “Special Slant Back Body.” Loaded with EMG 81/85 active pickups, it delivers tight low-end and sharp attack—ideal for modern metal tones. It’s frequently used on newer or lower-tuned material during live performances.

Among his collection of Gibsons, the Gibson Custom Shop SG Elegant Quilt Top in Iguana Burst stands out. Equipped with a 498T in the bridge and a 490R in the neck, this guitar produces a tone that’s both punchy and articulate—perfect for Maneki’s emotive playing style.

He also incorporates a variety of other models, including the classic SG Standard, the vintage-inspired ’61 Reissue SG, and semi-hollow models like the ES-335. His Les Paul lineup includes Studio, Custom, and Reissue models, all used for specific tunings and setlist roles. For instance, on the “Zekkai no Kishimojin” and “Kodama” tours, different guitars were assigned for drop tunings or backup duties.

Pickup selection plays a crucial role in shaping his sound. Maneki chooses pickups like EMGs, 498Ts, and ’57 Classics depending on the guitar, emphasizing tonal character and sonic fit for each song.

This diverse arsenal of guitars is essential to creating Onmyo-za’s lush and layered soundscapes—each instrument fulfilling a specific role within the broader sonic narrative.

Gear	Manufacturer	Amazon Link	Band	Guitarist	Type	Notes
Konoha Tengu	ESP	Search on Amazon	Onmyo-za	Maneki	Electric (Signature Model)	Custom-order with EMG pickups; designed for modern heavy tones.
SG Elegant Quilt Top / Iguana Burst	Gibson Custom Shop	Search on Amazon	Onmyo-za	Maneki	Electric (SG)	Main guitar with 498T/490R; clear and powerful tone.
SG Standard / Heritage Cherry	Gibson USA	Search on Amazon	Onmyo-za	Maneki	Electric (SG)	Often used live; equipped with a FIXER on the tailpiece studs.
SG ’61 Reissue	Gibson USA	Search on Amazon	Onmyo-za	Maneki	Electric (SG)	Backup guitar; features ’57 Classic pickups for vintage tones.
1959 Les Paul Reissue / Dark Burst	Gibson Custom Shop	Search on Amazon	Onmyo-za	Maneki	Electric (Les Paul)	Used for drop tuning on “Zekkai no Kishimojin” tour.
Les Paul Studio Pro Plus / Trans Black	Gibson USA	Search on Amazon	Onmyo-za	Maneki	Electric (Les Paul)	Features coil-tapping; highly versatile.
Les Paul Custom Figured Top / Trans Green	Gibson Custom Shop	Search on Amazon	Onmyo-za	Maneki	Electric (Les Paul)	Main guitar during the “Kodama” tour.
1959 Les Paul Reissue / Lemon Burst	Gibson Custom Shop	Search on Amazon	Onmyo-za	Maneki	Electric (Les Paul)	Used as a backup on the “Kodama” tour.
’60 ES-335 BLOCK RD	Gibson USA	Search on Amazon	Onmyo-za	Maneki	Semi-Hollow	Rarely used, likely for clean passages in ballads or intros.

Effects and Pedalboard Setup

Maneki’s approach to effects is methodical and intentional, with each pedal and processor chosen to complement his guitar tone and amp setup. Given the dramatic and diverse tonal palette required by Onmyo-za—from thick metal distortion to clean, traditional Japanese textures—his pedalboard balances digital flexibility with analog character.

At the core is the Fractal Audio Axe-Fx Ultra, which handles most modulation, delay, reverb, and overdrive effects. However, Maneki also incorporates select analog pedals into the signal chain to enhance tonal realism and versatility.

For acoustic-style clean parts, he uses the BOSS AC-2, an acoustic simulator pedal. While BOSS now offers the newer AC-3, the AC-2 remains his choice for crafting transparent clean tones in intros and interludes.

To recreate harmonized leads and rich twin-guitar layers, the BOSS PS-5 pitch shifter is employed. Especially in live settings, it allows a single guitar to emulate dual harmonies, adding body and emotion to lyrical passages—a hallmark of Maneki’s playing style.

For analog overdrive tones, he uses the Fulltone FULL-DRIVE2, a well-known pedal with a two-mode design that allows both crunch and lead tones. Its organic breakup and built-in boost function offer a warmer texture that complements the Axe-Fx’s modeling capabilities.

These pedals are likely routed via the Axe-Fx’s loop to integrate smoothly with its internal effects. This hybrid setup enables maximum flexibility on stage, adapting quickly to different venues and setlists.

For spatial effects such as delay and reverb, Maneki relies heavily on the Axe-Fx’s internal processing. This ensures a consistent tone whether recording in the studio or performing live.

Gear	Manufacturer	Amazon Link	Band	Guitarist	Effect Type	Notes
AC-2	BOSS	Search on Amazon	Onmyo-za	Maneki	Acoustic Simulator	Used in clean sections for acoustic-like textures; specifically the AC-2 model.
PS-5	BOSS	Search on Amazon	Onmyo-za	Maneki	Pitch Shifter	Creates harmonized parts in twin-lead sections and solos.
FULL-DRIVE2	Fulltone	Search on Amazon	Onmyo-za	Maneki	Overdrive	Analog drive used for warmth and gain staging; includes boost function.
Axe-Fx ULTRA	Fractal Audio	Search on Amazon	Onmyo-za	Maneki	Multi-Effects Processor	Primary unit for modulation, time-based effects, and drive simulation.

Sound Design: Amp Settings, EQ, and Mixing Techniques

Maneki’s tone plays a central role in bringing the majestic, folklore-inspired world of Onmyo-za to life. His sound design goes far beyond conventional metal distortion—careful attention is given to dynamics, tonal space, and emotional nuance.

At the core of his rig is the Axe-Fx Ultra, configured with multiple amp models tailored per song. For leads, he often uses Mesa/Boogie Mark-style simulations, typically setting gain between 6.5–7.5, midrange boosted (5.5–6.5), and presence slightly lowered (3.0–4.0). This ensures the lead tone cuts through the mix with vocal-like expression and clarity.

For rhythm tones, he tends to lean on Marshall or Rectifier-style models. Here, the gain is kept slightly lower (5.0–6.0) to retain attack and articulation. Low mids are tightened to avoid muddiness with the kick drum and bass guitar. EQ adjustments often include a gentle low cut around 100Hz and a slight boost between 200–300Hz for added thickness without sacrificing clarity.

Clean tones are shaped using Fender Twin Reverb-style amp models within the Axe-Fx, paired with light compression and reverb. When combined with the BOSS AC-2, the result is a clean, acoustic-like tone that fits perfectly for intros or breakdowns requiring transparency and emotion.

To enhance lead articulation, a short delay (30–60ms) is commonly added in series, which works even in mono live setups. For stereo configurations, he sometimes employs ping-pong delays or modulations to create ambient spread and movement—ideal for dramatic or mythological themes present in Onmyo-za’s music.

Common EQ strategies inferred from his tone shaping include:

• Rhythm EQ: Low Cut at 80Hz, Mid Boost around 500Hz, High Cut at 7kHz
• Lead EQ: Mid Boost around 800Hz, Enhanced Presence at ~5kHz
• Clean EQ: High Boost above 8kHz, Low Boost under 100Hz (especially with acoustic simulation)

In the studio, Maneki often records via direct input using the Axe-Fx along with high-resolution Impulse Responses (IRs) of speaker cabinets such as the Celestion G12T-75 or Greenback. These IRs are fine-tuned with EQ filtering and mic position adjustments to capture realistic cabinet tone.

In the mix, his guitar tracks are usually panned slightly to the left of center, while Karuma’s parts are balanced to the right, creating an immersive stereo interplay between the two. Additional processing, such as de-essers or subtle high-end taming, is applied to avoid frequency clashes with vocals or cymbals.

Ultimately, every aspect of Maneki’s tone—from amp model selection to final mix placement—is purposefully crafted to serve the narrative and emotional core of each composition. His approach demonstrates that expressive guitar work begins not just with skill or gear, but with thoughtful and deliberate sonic architecture.

Budget-Friendly Gear to Recreate Maneki’s Tone

While Maneki’s rig consists of high-end gear—including custom shop Gibsons, ESP signature models, and the FRACTAL Axe-Fx with FRYETTE power amps—it’s still possible to get remarkably close to his sound using more affordable alternatives. Here’s a selection of gear that can emulate his tone effectively without breaking the bank, ideal for beginner to intermediate players working with a budget of roughly $100–$400 per item.

Guitar: Since Maneki often uses Gibson or ESP SG-style guitars, the Epiphone SG Standard is a perfect entry-level alternative. It retains the iconic mid-focused tone of the SG body style, and its high-output pickups resemble the aggressive edge of Gibson’s 498T—excellent for heavy rhythm and expressive leads.

Amp Modeling: For those looking to emulate the Axe-Fx at a fraction of the cost, the Line 6 POD Go is an outstanding choice. It offers convincing Mesa/Boogie, Marshall, and Fender-style amp models and supports third-party IRs for cabinet simulation. Whether playing live or recording at home, it’s a highly capable multi-effects processor that punches far above its price point.

Effects: Some of Maneki’s favorite pedals, such as the BOSS PS-5 and Fulltone FULL-DRIVE2, are now discontinued or expensive on the second-hand market. Fortunately, there are modern substitutes that deliver similar performance:

• Pitch Effects: BOSS PS-6 Harmonist – a direct successor to the PS-5 with more natural tracking and polyphonic harmony capabilities.
• Overdrive: JHS 3 Series Overdrive – a cost-effective and smooth overdrive pedal that offers a rich midrange similar to the Full-Drive2.
• Acoustic Simulation: Mooer Acoustikar – a compact, wallet-friendly simulator that captures the vibe of the BOSS AC-2.

By combining these elements, players can begin to approximate Maneki’s signature twin-guitar, melody-focused tone with a more modest setup—making it accessible without compromising musical depth.

Category	Gear	Manufacturer	Amazon Link	Band	Guitarist	Notes
Guitar	SG Standard	Epiphone	Search on Amazon	Onmyo-za	Maneki	Affordable SG alternative with high-output pickups for heavier tones.
Amp Modeler	POD Go	Line 6	Search on Amazon	Onmyo-za	Maneki	IR-capable multi-FX unit; great for Mesa/Marshall/Fender tones.
Pitch Shifter	PS-6 Harmonist	BOSS	Search on Amazon	Onmyo-za	Maneki	Improved successor to the PS-5 with smoother pitch tracking.
Overdrive	3 Series Overdrive	JHS Pedals	Search on Amazon	Onmyo-za	Maneki	Mid-forward tone, versatile for boost or main overdrive.
Acoustic Sim	Acoustikar	Mooer	Search on Amazon	Onmyo-za	Maneki	Budget acoustic simulator; suitable for clean intro tones.

Final Thoughts: The Philosophy Behind Maneki’s Sound

Maneki’s guitar tone is an essential pillar of Onmyo-za’s sonic identity—a masterful blend of emotional depth and sonic weight. While Karuma brings technical virtuosity, Maneki provides lyrical phrasing and emotive expression that resonate deeply with listeners, making their twin-guitar interplay both balanced and dynamic.

His expressive power is supported by a carefully curated collection of guitars—primarily SG and Les Paul-style instruments—as well as the modern power of the Fractal Audio Axe-Fx Ultra. With active pickups, coil-tapping options, and tuning-specific setups, he covers a wide range of tonal demands with precision and flair.

What makes his rig truly compelling is the hybrid nature of his setup. He doesn’t rely solely on digital modeling. Analog pedals like the BOSS PS-5 and Fulltone FULL-DRIVE2 are strategically integrated, adding warmth and organic texture where needed. His approach isn’t about chasing “good tone” in isolation—it’s about crafting the right tone for each moment and each song’s narrative.

Meticulous EQ shaping and thoughtful mix placement are also vital parts of his sonic craft. Lead tones emphasize mids and sustain, while delay and stereo spread are used sparingly but effectively to elevate the emotional impact. These are not simply technical decisions—they reflect years of experience and a refined artistic sensibility.

More than anything, Maneki treats his gear as an extension of expression. His signature ESP “Konoha Tengu” isn’t just visually striking—it’s designed to reflect his identity, both musically and conceptually. From sound to aesthetics, every detail tells a story.

For those aspiring to replicate his sound, it’s not enough to mimic settings or collect similar gear. What truly defines Maneki’s tone is his intention: understanding how sound serves the song, and how tone becomes a narrative voice. His guitar doesn’t just play notes—it speaks, sings, and tells stories within Onmyo-za’s rich mythological universe.

🎸 Maneki’s Likely Gear Summary (Guitarist of Onmyo-za)

Below is a reference list of gear that Maneki, guitarist of Onmyo-za, is believed to use or own. This includes signature models, custom shop instruments, and high-end processors forming the backbone of his mystical and melodic sound.

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🧨 Guitars

• ESP “Konoha Tengu” (Signature Model)
  Custom-built by ESP featuring a 5A Buckeye Burl top and EMG 81/85 active pickups. Designed for modern heavy tones with sharp attack.
• Gibson Custom Shop SG Elegant Quilt Top / Iguana Burst
  Main live guitar. Modified with 498T (bridge) and 490R (neck) pickups for a powerful yet clear tone.
• Gibson USA SG Standard / Heritage Cherry
  Another main SG model used live. Tailpiece studs replaced with a FIXER system for tuning stability.
• Gibson USA SG ’61 Reissue / Heritage Cherry
  Backup guitar featuring ’57 Classic pickups for a vintage voice.
• Gibson USA ’60 ES-335 BLOCK RD
  Semi-hollow guitar, rarely seen live, likely used for clean or ambient passages.
• Gibson 1959 Les Paul Reissue / Dark Burst
  Used in the “Zekkai no Kishimojin” tour, tuned down a whole step.
• Gibson USA Les Paul Studio Pro Plus / Trans Black
  Also used for drop tuning during the “Zekkai no Kishimojin” tour. Features coil-splitting for tonal versatility.
• Gibson Custom Shop Les Paul Custom Figured Top / Trans Green
  Became a main guitar during the “Kodama” tour.
• Gibson 1959 Les Paul Reissue / Lemon Burst
  Used as a backup guitar on the “Kodama” tour.

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🔊 Amps & Cabinets

• Marshall 1960 4×12 Cabinet
  A go-to cabinet for high-gain live setups, loaded with Celestion G12T-75 speakers.
• Fractal Audio Axe-Fx Ultra
  Primary preamp and multi-effects processor. Handles all amp modeling and modulation duties.
• FRYETTE Two/Ninety/Two
  Tube power amp that brings analog warmth to Axe-Fx’s digital precision.

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🎛 Effects Pedals

• BOSS AC-2
  Acoustic simulator pedal used to emulate acoustic tones during intros and clean sections.
• BOSS PS-5
  Pitch shifter/harmonist for thickening lead lines or creating twin-guitar harmonies in live performance.
• Fulltone FULL-DRIVE2
  Analog overdrive pedal with boost functionality. Adds warmth and responsiveness beyond the Axe-Fx.