How to Achieve Surii’s Aooo Sound + Complete Guitar Gear and Tone Setup Guide [Effects & Amplifiers]

Introduction (Artist Overview)

Surii is a multi-talented artist who serves as the guitarist and composer for the band Aooo while also commanding massive support in the Vocaloid scene. His distinctive style seamlessly blends sharp rhythmic elements with cutting-edge guitar tones that have become his signature sound.

His representative tracks include “Telecaster B-Boy” and “Ego Rock,” featuring razor-sharp rhythms and edgy guitar sounds that cut through the mix. The core of Surii’s sound lies in his ability to nail that sweet spot between crunch and distortion, utilizing the natural bite and clarity that Jazzmasters are known for.

Beyond guitar work, Surii demonstrates exceptional skill in crafting complete compositions using DTM (Digital Audio Workstation) environments and Vocaloid technology. His guitar sounds are meticulously designed to exist in that perfect balance between digital precision and analog warmth.

The defining characteristic of his tone crafting is achieving a “nostalgic yet modern, refined texture.” For instance, he combines high-end amplifiers like Divided by 13 and Bogner with cutting-edge floor modelers such as the Neural DSP Quad Cortex, creating soundscapes that transcend traditional genre boundaries.

His guitar collection is remarkably diverse, spanning Fender Jazzmasters (including vintage models), Telecasters, and Crews Maniac Sound’s Tele-Gib, showcasing a genre-agnostic approach to instrument selection. He also incorporates Martin acoustic guitars, demonstrating his commitment to authentic acoustic tones.

Surii actively employs high-quality outboard gear and premium effects processors in both studio and live settings. His pedalboard philosophy reflects a “minimal setup for maximum efficiency” strategy that maximizes sonic impact.

This comprehensive guide will walk you through the amplifiers, guitars, effects, EQ settings, and alternative gear choices needed to approach Surii’s distinctive guitar sound.

▶ Search for Aooo Official YouTube Videos

Amplifier Lineup and Characteristics [Aooo・Surii]

Surii’s amplifier selection spans from high-end tube amplifiers to traditional combo amps, with standout models including the Divided by 13 “FTR37” and Bogner “Ecstasy 101B.” Both amplifiers deliver professional-grade tone quality with exceptional versatility across multiple genres.

The “Divided by 13 FTR37” is based on classic 1960s Fender-style circuitry but features enhanced midrange presence that pairs exceptionally well with single-coil Jazzmasters. In live settings, Surii frequently pairs this FTR37 with a dedicated 2×12 cabinet, delivering full-bodied clean to crunch tones with excellent projection.

The “Bogner Ecstasy 101B” handles higher-gain lead tones when the music demands it. Its three-channel design provides clean, crunch, and high-gain sounds from a single unit. When combined with high-gain effects like the Suhr Eclipse, it produces incredibly dimensional distortion textures.

For speaker cabinets, he utilizes the “ORANGE PPC212,” known for its thick low-midrange response and crisp high-frequency projection. The closed-back design ensures solid sound pressure in rehearsal studios and live venues.

For recording sessions and more compact setups, the “Fender ’65 Twin Reverb” serves as an alternative choice. This traditional blackface-style amplifier pairs beautifully with Jazzmasters, maintaining crystal-clear tone that serves as an ideal foundation for spatial effects and EQ processing.

All these amplifiers prioritize “fundamental tone quality” while supporting “song-specific EQ processing and modeling,” enabling the hybrid approach to tone crafting that defines the digital generation.

Equipment	Manufacturer	Amazon Search Link	Artist	Guitarist	Notes
FTR37/2x12f	Divided by 13	FTR37+Divided by 13	Aooo	Surii	Main live amplifier. Midrange-focused with excellent projection.
Ecstasy 101B	Bogner	Ecstasy+101B+Bogner	Aooo	Surii	Multi-channel design covering diverse distortion textures.
PPC212	ORANGE	PPC212+ORANGE	Aooo	Surii	Thick low-midrange response. Demonstrates meticulous cabinet selection.
’65 Twin Reverb	Fender	’65+Twin+Reverb+Fender	Aooo	Surii	Recording applications. Natural tone with excellent spatial effects compatibility.

Guitar Selection and Characteristics [Aooo・Surii]

Surii’s guitar selection reflects his genre-crossing musical style and contemporary pop sensibilities. His main instruments include Fender Jazzmasters and Telecasters, plus Gibson ES-335s, with each instrument serving distinct musical roles in his compositions.

His most frequently seen instrument is the “Fender Jazzmaster.” The Surf Green model is visually striking and delivers the bright, articulate single-coil tone that integrates perfectly with vocal and electronic arrangements. He also rotates between Sunburst vintage models and domestic “Made in Japan Traditional” series instruments, the latter offering warm midrange character.

The Fender Telecaster (White) provides a sharper, drier attack compared to the Jazzmaster, excelling in rock-oriented approaches and rhythmic cutting techniques. In Surii’s live performances, this Telecaster frequently appears in tight, rhythmically-driven compositions where its percussive attack shines.

The Crews Maniac Sound “STILL ON THE RUN ‘Tele-Gib'” represents his attention to specialized instruments. This humbucker-equipped Telecaster-style guitar features high bridge pickup output, delivering thick, powerful tones. When paired with Suhr distortion pedals, it achieves both metallic texture and musical expressiveness.

Additionally, the Gibson ES-335 (Wine Red) provides the warm, organic resonance characteristic of semi-hollow construction. Its rounded low-midrange response pairs beautifully with spatial effects, making it ideal for ballads, slower compositions, and recording applications.

For acoustic work, he uses Martin guitars, though specific model information isn’t readily available. These instruments appear in live acoustic performances and video content, delivering natural, delicate tones.

Equipment	Manufacturer	Amazon Search Link	Artist	Guitarist	Guitar Type	Notes
Jazzmaster (Surf Green)	Fender	Jazzmaster+Fender	Aooo	Surii	Electric Guitar	Single-coil brightness and clarity. Primary instrument.
Jazzmaster (Sunburst / MIJ Traditional)	Fender	Jazzmaster+Fender	Aooo	Surii	Electric Guitar	Enhanced midrange focus. Warm vintage character.
Telecaster (White)	Fender	Telecaster+Fender	Aooo	Surii	Electric Guitar	Tight rhythmic cutting applications.
STILL ON THE RUN “Tele-Gib”	Crews Maniac Sound	Tele-Gib+Crews	Aooo	Surii	Electric Guitar	Humbucker-equipped for high output. Optimal for heavy distortion.
ES-335 (Wine Red)	Gibson	ES-335+Gibson	Aooo	Surii	Electric Guitar (Semi-hollow)	Excellent spatial effects compatibility. Recording-focused.
Acoustic Guitar (Model Unknown)	Martin	Martin+acoustic+guitar	Aooo	Surii	Acoustic Guitar	Specific model unconfirmed. Used in acoustic performances.

Effects Pedals and Pedalboard Configuration [Aooo・Surii]

Surii’s effects board configuration is both highly practical and remarkably flexible. The setup centers around the floor-based multi-effects unit “Neural DSP Quad Cortex,” which provides exceptional reproducibility for live performances and recording while enabling modern preset-based operation.

The Quad Cortex offers simultaneous processing of multiple amplifiers, cabinets, and effects, with profiling capabilities that allow him to capture and utilize his beloved amplifier tones. For artists like Surii who work across multiple genres, this flexibility provides enormous advantages.

His distortion arsenal includes confirmed usage of the “Fulltone OCD,” “BOSS BD-2,” “BOSS DS-1,” and “Suhr Eclipse.” The OCD delivers deep overdrive while maintaining transparency, excelling in clean-to-crunch tone shaping. The BD-2 provides bluesy touch sensitivity, while the DS-1 delivers sharp, cutting distortion for edgier applications.

The Suhr Eclipse features a two-channel distortion design with excellent midrange control, handling both heavy riffing and lead work with equal proficiency. This ensures clear presence in rock-oriented arrangements.

Additional gear includes the Mission Engineering EP1-KP (Kemper-compatible expression pedal) for enhanced foot control, enabling wah and volume manipulation. The KORG DT-10 (industry-standard tuner) and SHURE GLXD16 (wireless system) complete the setup, providing comfort and stability for live performance applications.

This configuration demonstrates Surii’s embrace of modern technology while maintaining commitment to classic analog effects textures.

Equipment	Manufacturer	Amazon Search Link	Artist	Guitarist	Effect Type	Notes
OCD	Fulltone	OCD+Fulltone	Aooo	Surii	Overdrive	Deep saturation with excellent clarity. Crunch specialist.
BD-2 Blues Driver	BOSS	BD-2+BOSS	Aooo	Surii	Overdrive	Natural distortion with expressive touch response.
DS-1	BOSS	DS-1+BOSS	Aooo	Surii	Distortion	Classic edgy distortion. Prominent high-frequency content.
Eclipse	Suhr	Eclipse+Suhr	Aooo	Surii	Distortion	Dual-channel design with wide tonal range. Excellent for leads.
EP1-KP	Mission Engineering	EP1-KP+Mission	Aooo	Surii	Expression Pedal	Kemper-designed but universally compatible. Superior control.
Quad Cortex	Neural DSP	Quad+Cortex+Neural	Aooo	Surii	Multi-Effects Processor	Advanced modeling and profiling capabilities.
DT-10	KORG	DT-10+KORG	Aooo	Surii	Tuner	Industry-standard stage tuner.
GLXD16	SHURE	GLXD16+SHURE	Aooo	Surii	Wireless System	Live performance focused. Low-noise operation.

Surii’s Tone Settings & Budget Alternatives

Tone Crafting Settings, EQ & Mix Techniques [Aooo・Surii]

Aooo’s Surii creates guitar sounds that transcend mere “good tone,” incorporating precise sound design that considers the entire track’s balance. This approach stems from his experience as a composer, Vocaloid producer, and engineer.

Regarding EQ (equalization) settings: Surii works primarily in Logic Pro-based DAW environments for mixing, typically cutting low to low-mid frequencies (100-300Hz) to reduce muddiness while slightly boosting presence frequencies (3-6kHz) to help guitars cut through the mix.

When using single-coil guitars like Stratocasters or Jazzmasters, he often applies gentle high-frequency roll-off above 6kHz to prevent harshness, ensuring guitars don’t compete with vocal ranges (2-4kHz) while maintaining overall track listenability.

For amplifier settings with Divided by 13 or Fender Twin Reverb units, he typically targets clean-to-crunch territory. Gain stays around 3-4, with EQ settings like “Treble 6,” “Middle 5,” “Bass 3″—emphasizing midrange character. When using Quad Cortex, he likely recreates similar tonal profiles from these amplifier models.

DAW processing includes distinctive compression and saturation techniques. Waves plugins like “MaxxBass” and “Vitamin Sonic Enhancer” add low-midrange thickness, preventing pick attacks from sounding thin while preserving natural recording character. These plugins create substantial sonic presence without sacrificing organic feel.

In overall mixing, guitars follow specific panning strategies: main riffs center-positioned, decorative arpeggios panned left-right. This approach clarifies spatial dimension and musical development. Reverb and delay usage varies extensively by song, with tempo-synced stereo delays particularly effective in climactic sections.

Rather than pursuing “great guitar tone in isolation,” Surii focuses on achieving “optimal integration within the full arrangement”—an approach valuable not only for guitarists but also for DAW users and mixing-oriented musicians.

Budget-Friendly Gear for Achieving Similar Tones [Aooo・Surii]

While replicating Surii’s sophisticated guitar sound might seem to require expensive gear, similar tonal characteristics are achievable through strategic equipment choices and technique. Here are accessible options for beginners and intermediate players pursuing Aooo-style tones.

For guitars, the “Squier by Fender / J Mascis Jazzmaster” serves as an excellent Fender Jazzmaster alternative. Visual aesthetics and construction closely match the original, with pickups delivering fat, cutting tones suitable for ensemble playing. At approximately $600-700 street price, it’s perfect for those exploring Jazzmaster territory.

Regarding amplification, the “YAMAHA / THR30II Wireless” excels at Fender-style clean tones and light crunch, featuring Bluetooth connectivity and recording capabilities ideal for home recording. This supports Surii’s emphasis on “studio tone and mix integration.”

For effects processing, “MOOER / Blues Mood” provides excellent midrange-heavy overdrive similar to Surii’s BOSS BD-2 usage. Despite its affordable price point, it offers dimensional sound suitable for crunch-to-lead applications.

Spatial effects benefit from “NUX / Atlantic Delay & Reverb,” combining delay and reverb in one unit with preset storage for live applications. Tempo-synced stereo delay capabilities match Aooo’s arrangement aesthetics.

For those interested in modeling amplifiers and multi-effects, “Line6 / POD GO” offers excellent value. While not matching Quad Cortex’s professional specifications, it provides Fender and Bogner-style amp modeling, effect chain construction, and IR support—sufficient for detailed Surii-style tone pursuit.

This demonstrates that $500-1000 budgets can approach Surii’s artistic tones through proper equipment selection. Understanding “tonal intent” matters more than gear cost, forming the key to successful recreation.

Category	Equipment	Manufacturer	Amazon Search URL	Artist	Guitarist	Notes
Guitar	J Mascis Jazzmaster	Squier by Fender	Search on Amazon	Aooo	Surii	Jazzmaster tone and aesthetics at accessible price point
Amplifier	THR30II Wireless	YAMAHA	Search on Amazon	Aooo	Surii	Fender-style clean tones with spatial effects, desktop format
Overdrive	Blues Mood	MOOER	Search on Amazon	Aooo	Surii	BOSS BD-2-style articulate sound under $100
Spatial Multi-Effect	Atlantic Delay & Reverb	NUX	Search on Amazon	Aooo	Surii	Combined delay/reverb unit. Optimal for mix-ready spatial processing
Multi-Effects Processor	POD GO	Line6	Search on Amazon	Aooo	Surii	Amp modeling and IR support for modern tone crafting. Studio-ready

Comprehensive Summary [Aooo・Surii]

Aooo guitarist Surii’s sound transcends mere effects and amplifier configurations, representing a “total artistic balance” encompassing arrangement, mixing, and performance timing.

His tone foundation rests on distinctive harmonic content from guitars like Jazzmasters, tube amplifier warmth, precisely controlled overdrive textures, and delicate spatial effect adjustments. Combined with DAW-based EQ processing, compression, and enhancement plugin “sound contouring,” this creates remarkably three-dimensional, sophisticated sonic imagery.

Central to this approach is “negative space design”—how other elements occupy moments when guitar isn’t playing, and conversely, how much space to preserve. This consciousness deeply influences Surii’s tone crafting essence, reflecting his DAW sensibilities and compositional perspective integrated into guitar performance.

Neural DSP’s Quad Cortex enables flexible adaptation to contemporary live presentation, expanding beyond traditional pedalboard configurations to “scene-specific sound design” throughout performances. Notably, tones vary by application—live performance, recording, YouTube content—demonstrating contextual awareness.

Those pursuing Surii-style sounds should begin with “clean tone-based spatial creation,” then add contour through overdrive, compression, delay, and reverb, finally organizing through EQ and mix processing. This graduated approach facilitates deeper understanding of tonal essence.

Surii’s sound relies on “precision” rather than “flashiness.” Therefore, while equipment selection matters, developing “ears and sensibility for sonic placement” becomes the key to approaching his sound design philosophy.

Use this guide as a starting point for exploring your own “Surii-style sound” interpretation.